Gumbo YaYa Celebrates Women's History Month
with Love is Radical:
Approaches to Mother(ing), Daughter(ing), and Sister(ing):
Creative Arts Workshops, Performance, and Panel" (2:00-5:00)




Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com


Durham, NC- Feb. 26, 2009

Gumbo YaYa, ushers in Women's History Month with a series of creative arts workshops, performances, and community-wide discussions about the beautiful complexity of relationships among women of the African diaspora.

Gumbo YaYa Dates of Importance:
March 1: Alt(a)rations: Building Sacred Space in Community with SpiritHouse (this session will begin at CAARE and move to other sites.)
March 8: The Aesthetics of Intimacy: Daughter(ing) as Communal Performance with Ebony Noelle Golden
March 15: Love is Radical: Performing Mother(ing), Daughter(ing), and Sister(ing) with Gumbo YaYa Sister Circle
March 22: Performance Rehearsal
March 29: Community Performance and Panel Discussion with the Gumbo YaYa Sister Circle (this performance is open to the entire community)

Nancy (Nia) Wilson, executive director of SpiritHouse-NC, shares, "Thank you to our sponsors: The North Carolina Humanities Council, Healing with CAARE, Inc., betty's daughter arts collaborative, and everyone who has supported this process by providing child care, cooking a meal, or attending a session. Gumbo YaYa is such a wonderful way to begin or continue building a healthy relationship between women and girls in our communities."

Ebony Noelle Golden, creative director of Gumbo YaYa, is over-joyed by the response. "Our sessions have been generously attended every week. Mothers have brought their daughters and granddaughters. I can't wait to see what the final performance brings, and what the lasting effect of this 12-week session will be."

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa provides child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Gumbo YaYa Continues Feb. 22
with "Meditation and Creative Visioning:
Building Intergenerational Bridges Among Black Women and Girls" led by Kenya Harris (3:00-5:30)




Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com


Durham, NC- Feb. 17, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora in Durham, NC. We are pleased to announce that Kenya Harris, Gumbo YaYa's Intern, will lead this session along with two youth participants Bryonna and Nadirah.

The 12-week process, Gumbo YaYa, began January 4 and as is now gearing up to enter its third month with a series of performance workshops that will lead up to the final performance, March 29. Gumbo YaYa continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme of this session is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship.

Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Gumbo YaYa "Sista Circle" Continues with Feb. 15
with "Dancing with Our Spirits: Understanding Our Lives Through Rhythm" with
Mabinti Shabu (3:00-5:30)



Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com www.bettysdaughterarts.synthasite.com


Durham, NC- Feb. 12, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora in Durham, NC. We are pleased to announce that Mabinti Shabu of The Magic of African Rhythm will lead the Gumbo YaYa Sisters in a 4-session choreolab that will inform and enhance the participants individual lives and craft the choreography for the final community performance, March 29.

The 12-week process, Gumbo YaYa, began January 4 and as is now in its second month. Gumbo YaYa continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

Up-coming Sister Circles Include

Feb. 22, "Meditation and Creative Visioning: Building Intergenerational Bridges Among Black
Women and Girls"

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships between black mothers, daughters, and sisters. The "sista circle" series culminates in multimedia theater performance March 29.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.


Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship.

Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

In Your Hands

Introducing In Your Hands: A Letter Receiving Project
Since love is not scarce, our ancestors bathe us in it every moment that we dare to receive.

I have learned that there are sources of nurturing that are older than us and swifter than our bodies. I am noticing that those who are no longer here in physical form are teachers in the wind, showing us how we must relate to each other, if we want to survive longer than our bodies and longer than a system that denies us.

I have been writing urgent letters to my ancestors since before I knew they were watching and on the cusp of this new year they whispered a suggestion to me. “How about for this new year, as a gift to yourself, you receive some letters from us, the spirits of women that love you from eternity?”

As ever, my answer was yes. These daily letters from the most beloved of my known and chosen ancestors on behalf of all of the ancestors who have sent us love with their lives and dreams without us knowing came at exactly the right time. When I was afraid to trust myself, I was not afriad to trust their guidance for me. I re-learned a shifting methodology of loving myself firstly as their vessel and secondly as their recipient

Here is a letter I received from Pat Parker:

Alexis, girl,

There is nothing like being at home, huh? In your skin, with your work, in the universe, with us. Nothing like it. You have this question of finding, needing your own space while valuing radical socialization. You need other people somehow. But sometimes you really need your solitude (so you can socialize with us!) You and your older women!

Ask yourself how much stability and routine you need. Where are your boundaries? Where are your shared spaces? Where is your “room of ones’ own”? Are those many rooms? What is your practice? As you know, your own clarity and diligence around these things will free you from resenting the other people you invite into your life. Being your word also means being honest about what you need. As you are learning, your very body depends on it. But your body is not the only thing worth saving.

There are these children, and your relationships to them is crucial. It’s also a relationship to yourself. Your work to move towards intimacy is ultimately on their behalf. And ironically your boundaries (and waking up early) are what will allow you to be intimate and generous with yourself. Think about Maura. This intentional self-care and intimacy is a queer practice that allow intimacy that is not “self-sacrifice.” And we have yet to fully achieve it. And we are watching you.

Love and then some,

Pat

And my ancestors are socialist, so of course they would ask me to share these intimate insights and gifts with you. Of course they would want me to bring their messages to your waiting ears, but more than that I want to share this practice and encourage that you engage it for yourself.

I don’t know what ancestors speak to you or why and when they do, but I have been asked to ask you to listen, lovingly for what the universe wants you to know.

Can you join me? Think of the people who have influenced you, while they were living or through their written, or retold legacies. Just think about them and let your mind relax, let their energy surround and fill you. Create quiet times in your days in case they have something to say.

I encourage you to add your insights here on the “your letters” page if your feel that what you have received could provide healing and wisdom for the rest of us. I encourage you keep your writings for yourself if you feel that they should remain private. The messages of our living dead are sacred. They transcend the norms of intellectual property, and they should be treasured by your best impulse.

My intention here is to share with you an abiding sustaining faith in presence of those who have gone before and their participation in our everyday.

I invite your observance or participation with love.

Always,

alexis

Get Hip and Get Some Free Poetry in Your Life!

Greetings lovers of poetry, art, and culture!

Betty's Daughter Arts Collaborative is now accepting poetry, residency, and performance bookings for Black History, Women's History, and National Poetry Months.

If your organization, non or for profit, is located in New York and California, as well as in Atlanta, Chicago, Detroit, Houston, Seattle, New Orleans, Tucson, and Washington D.C, you are in luck! Poets & Writers, an organization dedicated to bringing literary arts to communities across the country, will help pay the honorarium. Just visit http://www.pw.org/funding for more information.

Here is a short list of what I can offer:

1. Residencies: Poetry, Spoken Word, Performance Poetry, Experimental and Community-Based Performance
2. Readings: Poetry, New Works, Performance Works (original works)
3. Workshops: 1 hr, 1 1/2 hrs
4. Combos: Performance and Workshop
5. Teacher/ Artist Trainings: 1 hr, 1 1/2 hrs

Visit
http://bettysdaughterarts.synthasite.com/a-poetics-of-process.php for teaching philosophy and sample lesson plan.

Bio:
Ebony Noelle Golden is the daughter of Pearl Glover, Bertha Sims and Betty Sims. She is a native of Houston, TX. Ebony holds a BA in English Literature and Poetry from Texas A & M University an MFA in Poetry from American University and a MA in Performance Studies from New York University. Ebony is an artist and cultural worker who has been awarded grants from the Atlantic Center for the Arts, Fund for Southern Communities, North Carolina A & T University and New York University. She has been published by Black Issues and Books Review, American Book Review, Obsidian, Pluck, and Third World Press. Ebony serves as the creative director of Betty’s Daughter Arts Collaborative, a boutique arts consulting group, based in NYC and NC. Her current projects include, “Gumbo Ya/Ya or This is Why We Speak in Tongues”, Images: for Younger SiStars, The Community Writing Intensive, i hear you breathing for me/ an embodied blues for meagan williams (multi-media performance) and “again, the water carriers” (a full length book of poetry). Ebony’s work is informed by her ancestral and spiritual family, guides, and homes, primarily. She can be reached at bettysdaughterarts@gmail.com or ww.bettysdaughterarts.synthasite.com.

Betty's Daughter Arts Collaborative looks forward to working with you to create "radical expressiveness in community".

Yours truly in the arts,

Betty's Daughter Arts Collaborative
www.bettysdaughterarts.synthasite.com
www.iamnotaproject.wordpress.com

Where is the Love?: Eternal Summer of the Black Feminist Mind Session II

In 1978 at the 4th Annual Conference of Afro-American Writers at Howard University, June Jordan facilitated a historic and controversial panel on "Black Women Writers and Feminism." The talk that she presented "Where is the Love?" defined black feminism as a crucial act of love. Met with some hostility and homophobia from the audience, the talk was later published in Essence Magazine and remains a generations primary interface with what black feminism might mean.

More than 30 years later we are still working through what it means to create community and transformation through a radical understanding of love. Join BrokenBeautiful Press and SpiritHouse for a discussion of this important essay!

In Durham we will be gathering at 1pm on Saturday February 7th.
The essay is available for free download at :http://blackfeministmind.wordpress.com/2009/01/29/where-is-the-love-session-ii/

Feel free to read along and gather wherever you are!
love,
lex

Gumbo YaYa "Sista Circle" Continues with

"Mother. Ourselves" Interactive Workshop led by Alexis Pauline Gumbs and

Zachari Curtis (3:00-5:30)

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com www.bettysdaughterarts.synthasite.com

Durham, NC- Jan. 28, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora Durham, NC. The 12-week process, Gumbo YaYa, began January 4 and will continue to March 29 with a creative performance. Now in its second month, Gumbo Yaya continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

Up-coming Sister Circles Include

Feb. 1, "Mother. Ourselves." with Alexis Pauline Gumbs and Zachari Curtis.
Feb. 8, "In The Beginning Was Her Word: Empowering Women One Story At A Time", with Dr. Anjail Rashida Ahmad.Feb. 15, "The Healing Practice of Dance"
Feb. 22, "Meditation and Creative Visioning: Building Intergenerational Bridges Among Black
Women and Girls"

The "sista circle" uses methods such as improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships between black mothers, daughters, and sisters. The "sista circle" series culminates in multimedia theater performance at the end of March.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.
Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship. Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Greetings Gumbo YaYa Supporters,

Last week's session "Brilliant Tomorrows: Sister(ing) as Communal Creative Performance" was a success! We had 20 women in attendance as we engaged diverse ways of practicing sisterhood.

This sunday features an extended gourd making and percussion workshop, HandWork to HeartWork" led by Connie Leeper of Kannapolis, NC. The session will begin at 2:30 and end 6:30. All programs happen at Healing with CAARE, Inc on 214 Broadway St in Durham, NC.

We are also pleased to announce that two of our youth, Nadirah and Bryonna, will lead us in a meditation and visualization activity to start the workshop.

As always, dinner and child care will be provided.

Additionally, please see the link to more pictures of the Everlasting Life workshop from our second week. Thank you sister Courtney Powell-X for the photography work.

http://picasaweb.google.com/sis.courtney/GumboYaya?authkey=vLMkbfNO_IU#5293620404058243410

Please visit www.iamnotaproject.wordpress.com and leave us a note!

Greetings Gumbo YaYa Supporters,

Below you will find upcoming Sister Circle information. Please forward to Black women and girls you think may be interested in coming.

As with all circles, refreshments and child care are provided.
For more information, visit www.iamnotaproject.wordpress.com or bettysdaughterarts@gmail.com



Jan. 18. “Brilliant Tomorrows: Sister(ing) as Communal Creative Performance”
Ebony Noelle Golden

Workshop Description- How are black women taught to sister? What are the some of the rites, rituals, and performances of sistering? How can we honor the space and practice of sistering? In this session, participants will engage in poetry, performance, music, and movement activities that help us create a vocabulary for active, present, and radical sistering.

The workshop is informed by the work and scholarship of Alice Coltrane, Romare Bearden, Ntozake Shange, Augosto Boal, Anna Deveare Smith, Nina Simone, Zora Neale Hurston, Soyini Madison, among others.

Jan. 25 “HandWork to HeartWork” Gourd Making & Percussion Connie Leeper

On the surface, this workshop is about music and gourd making. On a deeper level, it is more about connection…connection to ourselves, playfulness, imagination, culture, health and community. No experience necessary. Must be willing to be open, welcoming & ready to learn and teach. This workshop only requires that you bring your whole self into a process of intentional creativity.

Feb. 1 “Mother. Ourselves.” Alexis Pauline Gumbs & Zachari Curtis What happens when a life’s work stretches to include many lifetimes and multiple bodies? What models of communication allow those of us living in the flesh on this plane to access the imperatives of ancestors and the unborn? This exploration of the practice of spiritual daughterhood demonstrates and investigates radical connection as a calling and a strategy for healing and action.

Presented by three spiritual daughters of Durham visionary artist, educator and now ancestor Nayo Watkins, “Mother. Ourselves.” is both a performative tribute to Mama Nayo’s life and energy and a model for communication across the presumed limits of life itself. Mama Nayo understood the necessity of the creative process to radical political struggle and healing. This is how she lives with us now; reaching forward and back, moving away and drawing us together.

Time, distance, dis(ease), death, scarcity if asserted as essential, linear, terminal, logical, confine individuals and disrupt communication across seemingly impermeable barriers. What we know already is that we already have everything we need in order to reclaim, remember, revision ourselves, together, free. As Nayo put it, “You already know all you need to know… It’s in your bones.”


Feb. 8 “In The Beginning Was Her Word: Empowering Women One Story At A Time”

Dr. Anjail Rashida Ahmad

Over the millennia, women have held societies together word of mouth, hand to hand and vision by vision simply by the words issued from their tongues. The word or the power of one’s intention spoken into existence is the essence of who we are and can be a force that drives the unfolding of our life experiences. This speaking often takes the shape of stories both narrative and poetic. It’s the power of one’s own story articulated and shared that can have a most transforming effect throughout our societies both private and public.

In this workshop, Dr. Ahmad will lead us in uncovering the essence of the words lying at the bottom of our own hearts and use them to formulate our stories/poems/womanifestas-what desires to be spoken that has not yet been uttered.

Participants should bring a photograph of themselves preferably from the remote past. Use black and white if you have it or copy with a black and white copier. Together we will write autobiographically/biographically, herstorically inspired poems. Come prepared to be reaffirmed, to search-out the words and images, to gather and shape them and to share that which has the power to make us whole.

Please Sign!

To: The Academy of Motion Picture Arts and Sciences

This petition has been launched to object to the Academy of Motion Picture Arts and Sciences' announcement that it will give Jerry Lewis its Jean Hersholt Humanitarian Award at the Oscar Awards ceremony on February 22, 2009.

During his decades of hosting the Labor Day Telethon, Jerry Lewis has helped to perpetuate negative, stereotypical attitudes toward people with muscular dystrophy and other disabilities. Jerry Lewis and the Telethon actively promote pity as a fundraising strategy. Disabled people want RESPECT and RIGHTS, not pity and charity.

In 1990, Lewis wrote that if he had muscular dystrophy and had to use a wheelchair, he would "just have to learn to try to be good at being a half a person." During the 1992 Telethon, he said that people with MD, whom he always insists on calling "my kids," "cannot go into the workplace. There's nothing they can do." Comments like these have led disability activists and our allies to protest against Jerry Lewis. We've argued that he uses the Telethon to promote pity, a counterproductive emotion which undermines our social equality. Here's how Lewis responded to the Telethon protesters during a 2001 television interview: "Pity? You don't want to be pitied because you're a cripple in a wheelchair? Stay in your house!"

Jerry Lewis has also made derogatory comments about women and gay men. His outdated attitudes and crude remarks are dehumanizing, not humanitarian.

Therefore, we the undersigned support the actions and arguments of the coalition group The Trouble with Jerry. We protest the Academy's characterization of Jerry Lewis as a "humanitarian." And we ask that the Academy cancel its plans to give Lewis the Hersholt Humanitarian Award.

Sincerely,

The Undersigned

View Current Signatures

Get Hip and Get Your Necessary Dose of Gumbo YaYa!

January 5, 2009 –A New Year and new process to get the job done
On this new show in the New Year, we talk about upcoming events and setting goals for 2009.
Phyllis Coley, editor of Spectacular magazine and Ebony Noelle Golden creative director of Gumbo Yaya gives us a lot of new information to think about. Phyllis shares info on the upcoming Jan 31 celebration of Martin Luther King in Durham. Ebony tells us about the weekly sisterhood circles that she is guiding. Each of my guests use a process unique to them that I know you will find interesting and can be used as a guide to strengthen your own goals in 2009. Join the conversation and send me your goals that you have set for 2009.

Visit at www.richardbrownshow.com to listen to and download the podcast.

Visit Gumbo YaYa at www.iamnotaproject.wordpress.com

Because We Still Are Here: Radical Women of Color in Solidarity with Palestine

Mai'a Williams and Alexis Pauline Gumbs invite you to participate in a new website documenting and continuting the solidarity of women of color in the United States with the people of Palestine.

email brokenbeautifulpress@gmail.com with any statements of solidarity or documentations of solidarity in action that you would like to share. below is an a excerpt from the site.

www.becausewestillarehere.wordpress.com

we still are here

with our words and with our actions.

on January 3rd, 2009 UBUNTU a women of color/survivor led coalition in Durham North Carolina organized a vigil in solidarity with the people of Gaza. Here are some captioned images from the event.

(photos by Ajamu Dillahunt)

Rachael Derello, the organizer who first voiced the need for a vigil in Durham, sings "We Shall Be Released"

Manju Rajendran, one of the main organizers who MC'd the event reminds the crowd of the need for aid and medical supplies inside blockaded Gaza.

Alexis Pauline Gumbs, Racheal Derello and Kriti Sharma (speakers from UBUNTU) listen as Laylah Haddad describes the violence her family is experiencing in Gaza due to the Isreali bombings.

Laylah Haddad told the crowd that her cousins witnessed children bombed to death while playing dice in front of their home in Gaza.

Theresa El-Amin formerly of SNCC and currently organizing with Solidarity reminded the crowd that the City of Durham had once divested from all connections to Apartheid South Africa and must now divest from the Isreali Aparthied state.

Nadeen Bir and Kifu Faruq hold signs reminding us that "Until Palestine is Free, None of Us Are Free"...and connecting the occupation of Palestine and the occupation of Iraq.

And the little ones raise their voices.

other coverage of the Durham event

http://raleighfist.wordpress.com/2009/01/04/durham-protests-gaza-bombings/

http://www.wral.com/news/news_briefs/story/4238908/

Help!

After Katrina, the thought of finding a new place, a place I could trust, for gynecological care was overwhelming. I just couldn't bring myself to take that step. When the clinic opened, I knew I could get care in a place that was safe and accommodating of my whole self. It was my first exam in four years. I know there are thousands of women like me in New Orleans.

-Rosana Cruz, Board Member of New Orleans Women's Health Clinic and
Co-Director of Safe Streets, Strong Communities



December 2008

Dear Friends and Supporters,

With 2009 rapidly approaching, the New Orleans Women's Health Clinic (NOWHC) and the New Orleans Women's Health & Justice Initiative (WHJI) would like to wish you and yours a happy and healthy holiday season, and thank you for all of your support this past year. Thank you.

As NOWHC and WHJI continue to work together to equip marginalized and underserved women with the means to control and care for their own bodies, sexuality, reproduction, and health, while developing community-based strategies to improve the social and economic health and well-being of women of color and low-income women, we ask you to support the ongoing efforts of our organizations by making a donation this holiday season. This appeal presents accomplishments of both of our organizations for your giving consideration.

New Orleans Women's Health Clinic
The women we serve at NOWHC are the women we stand with, the women we are – women of color and low-income women most affected by disasters (natural and economic), women whose bodies are blamed and used as decoys for systemic injustices. We recognize that the New Orleans Women's Health Clinic cannot simply end at addressing immediate needs through services delivery. NOWHC works to integrate reproductive justice organizing and health education advocacy into our clinic to address root causes of health disparities and sexual and reproductive oppression. Our programming acknowledges intersectionality and addresses the social and economic determinants of health disparities, while challenging punitive policies around social welfare, housing, and reproductive health.

With the support of hundreds of donors like you, in just 19 months, NOWHC provided safe and affordable comprehensive sexual and reproductive health care services and information to 3,040 women from throughout the Greater New Orleans Metropolitan area as follows:

* 618 unduplicated women accessed direct medical services, 432 of which had repeat visits
* 820 additional women accessed health information and counseling services.
* Approximately 1600 referrals for service were provided over the last 5 months.
* Subsidized the cost of direct medical services for hundreds of women through the Women's Health Access Fund
* Partnered with the B.W. Cooper Housing Development Resident Management Corporation, enabling NOWHC to advocate and organize directly in the communities where many of our constituents live.
* Launched a Sexual Health Youth Advocacy program, focusing on comprehensive sex education, sexual violence prevention, sexuality and gender identity, sexually transmitted infections (STIs) education including HIV prevention justice advocacy

The women accessing and utilizing services at the clinic and the need for safe and holistic sexual and reproductive health services and resources, paint a portrait of the unique vulnerabilities that women of color, low income, and uninsured women face in accessing health care. Take for example, the demographics of our clinic patients:

* 65% of our patients who access care at the Clinic lacked health insurance. Without our support, most of these women would have gone months or even years without receiving safe, affordable, and unbiased care.
* 72% reported annual incomes of less than $24,999 –nearly 40% earned less than $10,000 a year
* 60% identifies as Black/African-American, and nearly 20% identifies as Latina/Hispanic – many of whom are undocumented. The Clinic provides a safe space to alleviate this fear of deportation for many undocumented women.
* 70% identified their housing status as 'renting' and
* 84% were between the ages of 18 to 40 years of age

With your continual support, NOWHC can expand our integrated approach by improving the sexual and reproductive health of low-income and underserved women and their families.

Women's Health & Justice Initiative
Much of the work of the clinic is done in concert with our sister collective, WHJI. WHJI impacts the reproductive and sexual health lives of women of color and low-income women, by mobilizing our communities to engage in racial, gender, and reproductive justice activism that challenges the legislation and criminalization of women of color and poor women's bodies, sexuality, fertility, and motherhood. As a predominately all volunteer collective, WHJI has:

* Launched organizing efforts to establish a Women of Color Resource & Organizing Center, to serve as a resource and organizing hub to nurture grassroots organizing and activism to end violence against women of color, linking struggles against the violence of poverty, incarceration, environmental racism, housing discrimination, economic exploitation, medical experimentation, and forced sterilization. The Center will house a Radical Women of Color Lending Library, a cluster of computers for community access, meeting space, and a host of movement building and leadership development programs and resources.

* Sponsored a series of Organizing Institutes, focused on examining and challenging gender and sexuality-based violence against women of color and queer and trans people of color. The Organizing Institutes have both facilitated community building conversations between grassroots social justice organizers and health practitioners, and created a space for developing grassroots strategies to equip those most disenfranchised by the medical industry in exercising their agency to take control of the their bodies, reproduction, and sexuality, while organizing for racial, gender, and reproductive justice.

NOWHC and WHJI COLLABORATIVE WORK

* Led a coordinated effort to respond to the particular vulnerabilities of women of color, low income women, and women headed households (including women with disabilities, seniors, undocumented immigrant women, and incarcerated women.) We made over 700 calls, assisting our constituency and their families develop and implement evacuation and safety plans as communities across the Gulf Coast region prepared for Hurricane Gustav. Ironically, this occurred on the eve of the 3 year anniversary of the devastation wrought by Hurricanes Katrina and Rita and subsequent government negligence.

* Immediately following Hurricanes Gustav and Ike, WHJI and NOWHC took the lead in responding to the eugenic and racist legislative plans of Representative John LaBruzzo (R) of Louisiana to pay poor women $1,000 to get sterilized under the cloak of reducing the number of people on welfare and those utilizing public housing subsidies. Our organizational responses to Representative LaBruzzo's eugenic agenda, and the outcry of social justice organizations and community members around the country, resulted in LaBruzzo being removed from his position as vice chairman of the House Health & Welfare Committee.

Please help WHJI and NOWHC to continue prioritizing the needs, experiences, and leadership of women of color and low-income women in the region. We ask for a donation that will:

* Expand the Clinic's ability to continue to support and subsidize the cost of care and medication for uninsured women who access services at our Clinic through our Women's Health Access Fund.

* Build the Clinic's Sexual Health Youth Advocacy Institute – focusing on comprehensive sex education, sexual violence prevention, sexuality, and STI education, and HIV prevention justice advocacy

* Open the WHJI Women of Color Resource & Organizing Center to serve as a resource and organizing hub to end violence against of women of color and gender variant members of our community

* Develop our joint Action Kits and Toolkits, including informational pamphlets, posters, and fact sheets on safe forms of birth control, STIs, breast health, fibroids, environmental toxicants & reproductive health, gender violence prevention, alternative health and healing remedies

We are asking you to further our work this holiday season by giving a gift of justice.

A Gift of $50
* Subsidizes a well-woman annual exam, including a pap smear, to an uninsured low-income woman
* Funds the expansion of the WHJI Women of Color Lending Library

A Gift of $100
* Subsidizes the lab cost of uninsured patients at the Clinic, and
* Develops WHJI sexual and reproductive justice organizing tools and materials

A Gift of $250
* Supports the involvement of youth in the Clinic's Sexual Health Youth Advocacy Institute
* Contributes to the planning, coordination, and convening of WHJI Organizing Institutes

A Gift of $500
* Bolsters the Clinic's Women's Health Access Fund
* Supports the opening of the Initiative's Women of Color Resource & Organizing Center

A Gift of $1000
* Supports the salary of a full-time paid executive director and medical staff for NOWHC
* Strengthens the long-term sustainability of the Clinic's ability to provide safe, affordable, non-coercive holistic sexual and reproductive health services and information

Financial contributions should be made out to our fiscal sponsor: Women With A Vision, with NOWHC and WHJI listed in the memo line. All contributions will be split evenly between NOWHC and WHJI, so your donation will support the work of both organizations. Checks should be mailed to the:

New Orleans Women's Health Clinic
1406 Esplanade Ave.
New Orleans, LA 70116

Your gift is tax-deductible and you will receive an acknowledgement letter with the Women With A Vision Nonprofit EIN#.

The New Orleans Women's Health Clinic and the Women's Health & Justice Initiative warmly thank our network of donors and volunteers for your continued generous support. Please support this essential work with the most generous donation you can give. Our ability to provide needed services, maintain autonomy and organize to build power and a healthy community is made possible through the support of individuals and organizations in our community and nationwide.

Thank you.

Sincerely,

New Orleans Women's Health Clinic Board of Directors
Women's Health & Justice Initiative Collective


***
INCITE! Women of Color Against Violence
PO Box 226
Redmond, WA 98073
phone: 484-932-3166
incite_national@yahoo.com
www.incite-national.org

INCITE! Women of Color Against Violence is a national activist organization of radical feminists of color advancing a movement to end violence against women of color and their communities through direct action, critical dialogue and grassroots organizing.

Eternal Summer of the Black Feminist Mind!!!

Due to the huge and affirming response to BrokenBeautiful Press's Summer of Our Lorde we are THRILLED to present the Eternal Summer of the Black Feminist Mind, a portable progressive series based in Durham North Carolina in partnership with SpiritHouse, Southerners on New Ground, UBUNTU, the Land and Sustainability Working Group, Kindred Healing Justice Collective and more.

In 1977 the Combahee River Collective wrote a key black feminist manifesta groundbreaking in it’s assertion that the “major systems of oppression are interlocking. You are invited to the first session on the groundbreaking black feminist document The Combahee River Collective Statement. Download it at www.blackfeministmind.wordpress.com
and check out some radical exercises at www.combaheesurvival.wordpress.com

In Durham we'll be discussing it on January 7th. Email brokenbeautifulpress@gmail.com for details and feel free to read along wherever you are and comment here!

See you (t)here!!!!!

SPEAK!: a CD by Radical Women of Color

SEWSA 2009

SEWSA '09
Southeastern Women's Studies Association Conference
at Appalachian State University, Boone, NC
Thursday - Saturday, April 2-4, 2009
WOMEN AND ENVIRONMENTS:
The Ecology of Feminism and the Feminism of Ecology
INFO & LINKS:

* Keynote speakers:
Elisabeth Lloyd
Chris Cuomo
Marilou Awiakta
Beverly Guy-Sheftall

* Workshop:
Starhawk

* Call for papers (doc)

* Lodging and transportation

* Registration info--registration is online only and requires a credit card

* Film series

* Food menus--gourmet all-natural lunches included for conference registrants

* Goat and cheese farm tour
$15/person to the first 25 people who sign up!

* Student scholarships



Topics might include:

*
Environmental racism
*
Development
*
Environmental policies
*
Frankenfoods
*
Naturalists
*
Localvores
*
CSAs
*
The Slow Food Movement
*
Pharmaceuticals
*
Ecofeminism
*
Eco-tourism
*
Women in pollution and waste management
*
The environment and women's health
*
Women's environmental activism
*
Gender and food history
*
Environmental toxins
*
The politics of space and place
*
Darwinism
*
Farm Workers
*
Women in environmental history
*
The female in nature
*
Women and animals
*
Green businesses
*
Ecological communities
*
Ecofeminist literary criticism
*
Feminist literary ecology
*
Women healers
*
Women naturalists and conservationists
*
Science, technology, and the environment
*
Post-humanism
*
Feminist vegetarianism and feminist hunting
*
Situated knowledges
*
Is feminism green?
*
Are women green?


IMPORTANT DEADLINES:

*
PROPOSAL DEADLINE EXTENDED TO JAN. 15, 2009!: Send to womens_st@appstate.edu with all contact information.

*
Feb. 1, 2009: All those with accepted proposals will be notified by this date.

*
Feb 15, 2009: Deadline for "earlybird" registration.

*
March 12, 2009: Deadline to reserve a hotel room for the SEWSA block discount rate.



Although the 2009 conference will center on this theme, submissions of non-thematic papers are also encouraged.

Click here to go to the SEWSA organizational website.
Click here to go back to the Appalachian Women's Studies Program homepage.
E-mail womens_st@appstate.edu with questions.

Audre Lorde Project looking for program coordinator

this like a wonderful opportunity

Program Coordinator: Organizing (TransJustice) - Temporary
The Audre Lorde Project, Inc.
http://www.idealist.org/en/job/320032-118
Brooklyn, New York, United States
Salary: 40,000-44,000

Black Women in the Academy Conference

PLEASE MARK YOUR CALENDARS!



Black Women in the Academy: Strategies for Survival, Success, and Transformation


January 30-31, 2009
William and Ida Friday Center for Continuing Education
University of North Carolina-Chapel Hill




During January 30-31, 2009, the University of North Carolina-Chapel Hill will host the symposium, “Black Women in the Academy: Strategies for Survival, Success, and Transformation." This event is being organized by the Department of African and Afro-American Studies, the Carolina Women's Center, the Curriculum in Women's Studies, and the Institute of African American Research at the University of North Carolina-Chapel Hill.

The “Black Women in the Academy” symposium will continue the important dialogue that was begun during previous Black Women in the Academy conferences that were held at the national level in 1994 at the Massachusetts Institute of Technology and in 1999 at Howard University . A regional conference on Black Women in the Academy was also held in 1995 at the University of North Carolina-Chapel Hill. Previous conferences have provided a public forum to focus on the experiences of black women in a variety of disciplines and at all ranks within academic institutions, from graduate school to the college presidency.

The Black Women in the Academy symposium will address topics of interest to undergraduate students, graduate students, postdoctoral scholars, faculty and administrators. The first day of the symposium will include a panel presentation by notable scholars contextualizing the unique sets of challenges that African American women face in academic institutions. The second day of the symposium will include workshops and break-out sessions that will provide participants with tools and strategies to move through academia at all levels. These sessions will address issues such as the graduate school process, tenure and promotion, the role of senior faculty, and administrative positions. These sessions will be open to members of the UNC community, as well as students, faculty, and administrators from colleges and universities throughout North Carolina, as well as other states.

The symposium schedule, registration, and hotel information are available at: http://www.unc.edu/iaar.
Online registration will be available in early December.
Questions may be sent to: bwacademy09@gmail.com

*Plenary Speakers: *

Dr. Beverly Guy-Sheftall (Anna Julia Cooper Professor of Women's Studies and Director of the Women's Research and Resource Center, Spelman College)

Dr. Yolanda Moses (Professor of Anthropology, Associate Vice Chancellor for Diversity, Equity and Excellence, and Vice Provost for Conflict Resolution at the University of California, Riverside)

Dr. Rhonda Sharpe (Assistant Professor, Economics, University of Vermont)

Dr. Monica Corbitt Rivers (Assistant Professor, Psychology, Winston Salem State University)



*Symposium Co-Sponsors: *

*UNC-Chapel Hill: *African & Afro-American Studies, Carolina Women's Center, Center for Faculty Excellence, College of Arts & Sciences, Curriculum in Women's Studies, Office of Diversity and Multicultural Affairs, Office of the Provost, Office of the Vice-Chancellor for Research and Economic Development, Institute of African American Research, the Graduate School, Moore Undergraduate Research Apprenticeship Program, Office of Postdoctoral Services

*Duke University: *African & African American Studies, the Graduate School, John Hope Franklin Humanities Institute, Research Network on Racial and Ethnic Inequality, Women's Studies Program

Call for Submissions

!CALL FOR SUBMISSIONS!
Mujeres de Maiz
ZINE 2009
Calling all creative women of color! In honor of Women, let us publish your expressions in our annual community arts and poetry maga-ZINE!

Submissions should be centered around the following theme:
La Sagrada
(That Which is Sacred)

*** spaces are limited **

FINAL DEADLINE:
SATURDAY, DECEMBER 13th, 2009

All languages welcome.
Although we will have an editing committee to oversee this project, please make sure all written entries are well edited including grammar, spell check, etc.

EMAIL SUBMISSION PROCEEDURES:
Each artist may email up to 2 submissions from
each category:


Category A:
POETRY, PROSE, ESSAY
Submission(s) should be related to this year's theme:
La Sagrada (That Which is Sacred).
Poetry, essay, or prose in 300 words or less.
All languages welcome.

1. Fill out POETRY SubForm Completely
(see attached form)

2. Save form JPEG FILE NAME:
ARTISTS FULL NAME

3. Send completed form as email attachment to Mujeresdemaiz@prodigy.net

Email Subject:
ZINE 2008 POETRY: ARTISTS LAST NAME





Category B:
VISUAL ART
Submission(s) should be related to this year's theme:
La Sagrada (That Which is Sacred).
Image(s) of original artwork only. Image(s) may be (color or black & white) photo, drawing, painting, etc.

1. Fill out VISUAL ART SubForm Completely

2. IMAGES: Submit up to TWO high-res, RGB images at 300 dpi, sized at approx 5 x 7 inches.

3. Save Image(s) as JPEG FILE NAME:
ARTISTS LAST NAME + TITLE

4. Send completed form with image(s) as attachments to Mujeresdemaiz@prodigy.net
Email Subject: ZINE 2008 ART: ARTISTS FULL NAME



for questions, concerns or any who wish to help sponsor this project, please contact:

Margaret Alarcon
Publication coordinator
mujeresdemaiz@prodigy.net




For more information about MdM's commitment to 12 years of creative volunteer community service and past projects:
www.mujeresdemiaz.net

re/memories~~~

21:40 - i hear you breathing for me/ an embodied blues for megan williams


after performing and meditating on the most recent installation of "i hear you breath for me/ an embodied blues for megan williams" i wrote this...

1. she thinks she sees waterblood

steps pores wide with fear

her whiteness like magnified imagination

"and there was fake blood and a woman cut herself"

her neck (re)shocked red as she turns the corner

her mother can see the whole black woman unsliced

left hand trembling

2. we are not a/part

we are not a/part wearenota/part wearenota / part we arenota/ part

even if my last name is not williams even if i tell the story you choose to forget

even if the dollars come as drops instead of pours even if you dream a piece of

fabric is a brick wall even if i bang silence like a steel drum even if you wear

white male privilege like a badge of honor even if i make you remember what

you choose to forget even if the story incites a thick mucus to grow in the back

of your throat even if

3. when we hold fear like a lover and fold our tears into envelops that cradle our screams we pretend our necks are full of jazz and scorpio thunder we pretend our open parts are a diary of cinnamon sundays we pretend a shout is a shower of blessings we pretend plump hairs relaxed thin do not hold stories of our mothers and our mothers' mothers we pretend we can bury ourselves in books and lectures and conferences and "study"

we pretend it is apart of our genetic makeup to be numb we pretend we can bury ourselves in good dick and good feelings and good wine and good deeds

we pretend it is apart of our genetic makeup to be bottomless we pretend we can bury ourselves in the blindness of never more we pretend we have paralyzed tonsils we pretend flesh does not burn and that we have forgotten how to decode black girl pain like it is not an opera written in our skin/tone

4. tattle tell tit your tongue will be slit and every little boy in town will have a little bit

- mama audre lorde

5. and the line i forgot...

mary had a little lamb little lamb little lamb

mary had a little lamb whose fleece was whiiiiiii whhhhhhhhhhhh whhhhhhhhhhhi

whhhiiiiiiiiiiiiiiiiiiiiiiiiiiii wwwwwwwwwwwwwwwww whiiiiiiiiiiiiiiiiiiiiiiiiite as snow

-remixed nursery rhyme

6. after we wrap ourselves like a cacoon we are a dictionary of backs and fingers and southern sea sways we infuse our beating bodies into a blank space we are not mourning but recharging and thanking ourselves for continuing the journey

7. the brothers pray approach slowly contemplate some revolutionary shit pray request hugs dance their frustration dance their honesty about not knowing what to do i am thankful for the stillness of their eyes and how they listen with their palms

~ebony noelle golden
www.iamnotaproject.wordpress.com
furiousflower@gmail.com

Mere Relative: Audre Lorde, Grenada and the Ethics of Diasporic Solidarity

Greetings! This is a paper that I presented (next to my beloved sister Zachari Curtis!) on a panel called "Radical Black Feminist Literatures" at North Carolina Central University's conference on "New Approaches to African Diaspora Studies." It is important for me to note that there were a WIDE range of definitions of diaspora in room...some more nostalgic, narrow and patriarchal than others. This is the seed of an upcoming chapter called "Diasporic Reports" so feedback is much appreciated!
love,
lex

Mere Relative: Audre Lorde, Grenada and the Ethics of Diasporic Solidarity



“Grenada is their country. I am only a relative.”

“To the average Grenadian, the United States is a large but dim presence
where some dear relative now lives.”

-Audre Lorde “Grenada: an Interim Report”


What kind of intimacy do I want to create here? Who do I imagine you to be anyway? Who would you have to be to understand what I am compelled to say here? Maybe you are black, because we are convened at an historically black institution. Maybe you know something about dispossession, and segregation and how the spaces you think you own are really part of something big and uncaring, like the state. Or an economy where black already means something that we didn’t consent to. Maybe you will understand, because you came here to talk about the African diaspora. Maybe you consider me your people. I pray to the Lorde of my choosing (Audre Lorde), that I am your people somehow, that my presence grows a space in your heart beyond understanding for love. But there is no one you can be that will guarantee that I make sense to you today. What kind of intimacy do we need? What kind of distance are we afraid of?
Can I be honest with you? I came here today seeking home. Six months ago I went Grenada seeking the same thing. And I found it in a way. The generous attention in your faces. The small island plants, smell of sea wind of embrace that felt familiar for a girl grown and summered on a different small island with a different economy. Does that make me sentimental? Audre Lorde, a black feminist lesbian warrior mother poet teacher born in Harlem says:
“The first time I came to Grenada I came seeking “home,” for this was my mother’s birthplace and she had always defined it so for me.” I will always believe that Audre Lorde was and is a woman and a spirit of rare brilliance, bravery, eloquence and insight. But this is a typical statement for a US born black person with Caribbean parents. Home for an Afro-Caribbean family, is not the United States of America. The harder lesson to embrace is that no where else is home either. This is about the double diaspora. Afro-diasporic people dispersed again by the market, out of the Caribbean and into the United States, or Canada, or Europe. Carrying the traces of colonialism and neocolonialism in over stuffed bags. And that’s not the heaviest baggage. Audre Lorde went to Grenada seeking home. But she could not find it. First, because of the cruelty of space and time, the stories her parents raised her with about Grenada were inevitably dated and referred to a place that no longer existed, and that place, overwritten with longing, may have never existed except in their memories. And on her second visit Grenada could not be home, could not be properly claimed by any black person because of the 1983 United States invasion into what was the first black socialist republic. Home, a place controlled by black people that refuses capitalism (or maybe that’s only MY definition of home) is a dream place, to dangerous to exist. As Lorde says: “What a bad example, a dangerous precedent, an independent Grenada would be for the peoples of Color in the caribbean, in Central America, for those of us here in the United States.” But that doesn’t mean what Audre Lorde found in Grenada, what I found years later was not familiar.
Grenada though not home, was familiar, because the US invasion of Grenada was justified by a logic that black people living in the US knew all too well. Lorde explains that racism is the primary export from the United States to the world. Here is her inventory: “The lynching of Black youth and shooting down of Black women, 60 percent of Black teenagers unemployed and rapidly becoming unemployable, the presidential dismantling of the Civil Rights Commission, and more Black families below the poverty line than twenty years ago—if these facts of American life can be passed over as unremarkable, then why not the rape and annexation of tiny Black Grenada?” Familiar, but not home.
Diaspora is not what I wish it was. Home in every black face and every majority black space on the planet. A fabulous circle of homegirls holding hands across continents, a way for me to look at you and know you know what I mean. Diaspora is not what I wish it was a strain that lets me trace my presence backwards across centuries like a fated journey an inevitable victory. Diaspora is not what I wish it was, but I am connected to you somehow. We are, despite it all, related.
And let me pause here before and inside of your affirmation to tell you what I do not mean. I do not consent to the definition of diaspora that says the African diaspora is sperm trailing across time from a far away mother land to a group of linked children. It’s not what you wish it was. Diaspora is not some true race legacy for us to hold on to. A story for the fatherless that tells us who and where and what and why our fathers are. Diaspora is not that. Diaspora is what makes that impossible. I do not consent to a fairy tale that leaves me in chains and then pretends those chains are not there. Diaspora is not Marcus Garvery reborn 50 times out of the womb of any black woman as long as she is black enough. You mean it well, but I’m not with that. As Brent Edwards reminds us, there is a difference between pan-africanism and diaspora. Who do you have to be to understand what I am trying to say here? Maybe you are black. Which could mean your mother was black, your children are gonna be black, which could have led you to believe, understandably that race is something we reproduce with our bodies. You know, over time, diaspora.
I am here to tell you (in the name of the Lorde no less), no. We do not reproduce race with our bodies. The only thing our bodies make is love. The only thing that rightfully lives in our skin is life’s longing for itself. The only thing that our bodies know how to make untaught is love and more love and more love. Because love is the only thing we need. If there was a contents label on my body it would say this person is made of some certain amount of water, which is another name for love, and a certain amount of cells remaking themselves, love. Love is the only thing I have, the only thing I have the RIGHT to make. And that’s what I’m doing here. And because I love you, I am going to be as honest as I can be.
Race is not something we make with our bodies. Race is merely something we survive. Only racism can make and remake race over time. And racism is a story about who can be killed. But that story, does connect us. So black people in the United States, Audre Lorde argues, in an urgent interim report that she stopped the presses on her own book to include...black people in the United States are related to black people in Grenada. But not because of our melanin or the blood in our veins, but because of racism, our killability, we are related by the blood that spills out. Black people in the United States are related to black people in Grenada because the United States is using the story of racism to steal power from all of us. Black people everywhere are related. Kind of like family. You know a group of people you are stuck with for better or for worse, tied to by law and survival, and that doesn’t mean there is love there, but there could be.
Audre Lorde models the practice of how we can relate to our dear relative, our mere relatives, our not very near relatives with love. And the first requirement is that we are honest about the fact that we are not all the same. Black people in the United States paid taxes that funded a military invasion into Grenada, and it was of course, disproportionately black people in that army through which the US invaded Grenada killing the young revolutionaries and imposing an economic situation that among other things caused people living in an island full of trees that produced cocoa beans to IMPORT chocolate. My uncle, who was in the Army at that time wanted so bad to go to Grenada, years and many books later he is glad he didn’t get his wish. But directly or indirectly the same imperialist racism that makes black people in the United States related to black people everywhere, consistenly puts us on opposite sides, of a very dirty coin. As blacks in the US we consent over and over again to violence against other black people done in our name, and usually without our knowledge. Not a very brotherly situation at all.
Audre Lorde is saying, as a mere relative, that it doesn’t have to be that way. We are related through racist systems that we do not control, but we can only look each other in the eye, with love, if we acknowledge our different relationships of power. Who does it benefit when my own oppression here overshadows my privilege in relationship to the people living in places that this country has invaded through the racist ideology of the war on terror. Does diaspora now mean that I am related to Iraqis to everyone in Guantanamo through systems of racism. And if so, how can I be related to those who racism oppresses through intentional solidarity, the practice of love? What kind of intimacy am I trying to create here? I think as we innovate in our study and practice of black diaspora our key concern needs to be the terms under which we are related and the ways the and privileges that our different relationships to power and access make us accountable. Diaspora, I would argue must compel us towards what Jacqui Alexander and Chandra Mohanty would call a democratic transnationalism, where not only our skinfolks become our kinfolks, but where we are accountable to everyone oppressed by racism with a strategic solidarity that acknowledges the systems through which we meet each other. Familiar, and struggling, mere relatives, until we can meet, at home.

my thoughts on the Obama win

After the morning after, after the night before

Thoughts from Beverly Guy-Sheftall

http://www.womensmediacenter.com/ex/110508.html

For My People: Freedom in Durham

Hey loved ones,
So because I live in Durham I get to be inspired all the time by the brilliance and creativity of people. Not all the brilliant and creative people in the United States live in Durham, it just feels that way sometimes. Like today when a black woman who is a doctor and a mother of 6 came to speak to the Durham School Board and the Durham Public School administration about why students should be able to choose educational alternatives. Or like right now when Durham's Youth Noise Network is broadcasting a voice recording of June Jordan's "On the Night of November 3rd 1992" about the end of the (first) Bush era and speaking about their views on electoral politics.

So I write about Durham...as often as possible...because people act like they don't know about the resilient, resourceful miraculous people living, working and loving here. I wanted to share two examples with you all that are in cyber and book form right now.
First..check out an article I wrote called "The Life of A Poem: Audre Lorde's 'A Litany for Survival' in Post-Lacrosse Durham" for an online journal called Reflections: A Journal of Writing, Service Learning and Community Literacy. It's in blog format so you can post comments..I hope you do!!!!
And THEN....(I am even more excited about this one) get/find/borrow a copy of Abolition Now!: 10 Years of Strategy and Struggle Against the Prison Industrial Complex just out from AK Press!!! This is a book collaboratively edited by the awesome publications committee of Critical Resistance and it features a chapter I wrote called "Freedom Seeds: Growing Abolition in Durham, North Carolina."

Yeah. If you don't live in Durham...you might want to come through :)
love,
lex

Thus Saith the Lorde

I am writing these words as a route map
an artifact for survival...

History is not kind to us
we restitch it with living
past memory forward
into desire
into the panic articulation
of want without having
or even the promise of getting.

And I dream of our coming together
encircled driven
not only by love
but by lust for a working tomorrow
the flights of this journey
mapless uncertain
and necessary as water.

-Audre Lorde
"On My Way Out I Passed Over You
and the Verrazano Bridge"

October 27, 2008
Gumbo YaYa/ or this is why we speak in tongues travels~~~~south!


It is that time, again. Last year Gumbo YaYa/ or this is why we speak in tongues worked magic in NYC. Almost a year to date, I sent out this email to women for support of this so fresh and so necessary improvisational, sista-circle, healing, performance opportunity.

I am Ebony Golden currently living in Manhattan and working as an arts consultant and performer. Over the last year, I had the wonderful pleasure of working with a beautiful group of women who helped me think through what Womanist Performance Methodology and Practice is about. I had the opportunity to study with, learn from, and make trouble with some of the flyest sistas around. We honored ourselves. We were able to be honest. And we participated as we could. I would not have graduated without them.

I add these sistas to my infinitely growing family of sistas around the country. I am so blessed to work and dream with you all. Thank you Ayanna, Geneva, Joi, Cammile, Chelsea, RonAmber, Crystal, Tonya, Samantha, and everyone else who participated along with the rest of my family in DC, TX, GA, NC, IL CA, LA, and in other spaces. You hold me up, thank you.

It is time to begin the 2nd cycle of Gumbo YaYa! Through the generous funding and support of SpiritHouse-NC, North Carolina Humanities Council, Healing with CAARE the 2nd cycle will happen in Durham, NC.

I am dedicated to my healing, the healing of the women in my family and extended family, and the world. This is a process we are creating everywhere, let's continue to tap in together and see what shifts.

This process will have a few opportunities for performance, live and virtual, but mostly I am interested in articulating a poetics of womanist performance process and methodology that can be reproduced by us every where to heal ourselves and this world.

NEED

1- Intern interested in arts management, performance, grassroots activism, media relations, and social justice. Applicant must be flexible, a self-starter, and dependable. Applicant must be based in Durham-NC (or close by). Course credit and possible stipend available.

NEED

Women and girls to participate. If you know of a school, community center, or pre-existing program who might be interested in collaborating, let me know.

NEED

I need you to tell our story. A small group of sistas who are not afraid to undertake this work with me, whether they understand exactly where it is headed or not. Sistas who enjoy movement, music, writing, photography, people, good food, performing, making a fuss about us (black women), and who are not afraid to say we (black women) matter anywhere in this world.

NEEDS

1. sistas to perform several times during a 12-week period and beyond
2. videographer/ photographer/ editor
3. choreographer
4. stage manager
5. 'zine designer
6. web designer

NEEDS
1. voice recorders, tapes
2. gift cards (Target would be excellent)
3. performance space
4. video recorders, tapes, dvd
5. money, frequent flyer miles, train tickets, gas cards!!!

did I say money? oh, and money!

NEEDS

Your stories. Some of you are far away from me right now. But I would love to interview you about you and your healing process. Let's set up some time for phone interviews. I travel often, and maybe we can get together and talk.

Every one is invited to NC in March 09 to see a pivotal step in this journey. Can't wait.

Please take a look at the updated web site and leave poems, videos, letters, and words of encouragement on the Poetic Healing page.

Please do not hesitate to contact me with any questions.

Cool Spirits and Calm Waters,

--
Ebony N. Golden, MFA, American University
Performance Studies MA, NYU
Gumbo Yaya/or this is why we speak in tongues
Creative Director
www.iamnotaproject.wordpress.com

TechnoAfroCats Read Wild Seed

Hear ye, Hear ye:

A message to all members of Quirky Black Girls

Hey all,
 Just a quick note to let everyone know that the fabulous long-distance sci-fi reading group at Quirky Black Girls will be reading Octavia Butler's Wildseed and discussing it in a forum right here on qbg!

  So go get the book from your public library or independent bookseller or half.com or whatever and look for details on the main site.

Also If you haven't copped the new Muhsinah or The Foreign Exchange you are missing out! To check out her sound, see qbg Jah's video post of "construction" in the videos section.

Also shouts out to our growing international qbg contingent!

love,
QBG

Visit Quirky Black Girls at: http://quirkyblackgirls.ning.com

Until...

There are those, bright and visible among us, who believe in a Queer Renaissance...that we can make the world anew by loving transformation with our every action, by building our wishes into place to live, by writing our dreams in deep red pen on every wall that faces us. There are those among us who thread the present into 50 ways to reimagine life at once, teasing the future with incrementally wilder ways to be present. Queer black filmmaker, poet, thinker Julia R. Wallace is one of those.

I'm a fan. (Can you tell?)

As an outgrowth of the collaborative online community transformation venture Queer Renaissance (www.queerrenaissance.com), and a compelling poetic filmic vision, Julia Wallace is creating Until, a poem crystallized into a short experimental narrative film about friendship, love, secrecy, shame and the possibility of freedom. And I want you to know about it. Because I love you.

After hearing the poem and reading the screenplay for Until I already have a crush on the main character. Pro, a quiet loving earnest college student wants the best for her best friend Hailey. And she's thrilled and gratified when after facing rejection from some guy on campus, Hailey wants her. As always though, it gets complicated when the lights turn on. What will it take for each woman to be true to herself in private and in public?

Y'all, reading this screenplay makes me want to be a better braver person. It scrapes up those moments when we choose our fears over each other, and when we choose each other out of fear...it makes me want to build altars and monuments to those public hand holdings and private yeses that risk everything except our integrity. And to those moments when we almost get there.

There should be a billion films like this, but there aren't, and Julia and the crew are shooting next weekend in Atlanta so go here to find out more about Until and how you can support that necessary process of making our love, our questions, our hope and our process visible and tangible.

love always,
lex

Southern Feminism Alive and Thriving: The Charis Review

Hey all,
The Charis Review is an awesome publication born out of the oldest feminist bookstore in the South (which also happens to be the place where I was born into a writer.) The current issue features an interactive on the SONG storysharing project, an awesome piece on "bad poetry" by Dorothy Allison, a beautiful meditation by Shay Youngblood, advice and musings on pasties by Atlanta's most fabulous burlesque dancers, recipies, tomato seed saving advice, stencils, coloring mandala's and more! So get down with it!

So below is the call for submissions. Check out the link on the Circle website: http://www.chariscircle.org/charis_review/charis_review_september_08.html also if anyone wants to buy it online they can do so here http://charis.booksense.com/NASApp/store/IndexJsp?s=newsletter

Charis Review
Call for Submissions (or, How to Become a Charis Review Contributor) :

What do we want?
The Charis Review is a multi-media, multi-generational southern feminist response to culture. It is founded on the belief that sharing knowledge is a feminist principle and that swapping stories is an intrinsic aspect of Southern culture. We believe in the value of all forms of culture and media: "high," "low" and everything in between. This means we want both your poetry and your recipes, your critical essays and your stencils, we are interested in your skills, your passions, the knowledges and stories that enliven your communities and your homes.

Some kinds of things we are hoping to publish:
Fiction, Poetry, Essays, Recipes, Original Games, Paper dolls, How-to articles or drawings, Recommended reading lists, Book Reviews, Pop Culture Criticism, Artwork, Articles on how to be an ally, Anti-oppression organizing tips, Interviews, and more....

When do we want it?
Please send all submissions for our Winter Issue to elizabeth@chariscircle.org by no later than Dec. 1st, 2008.

Please share the love with your friends and community members. We are interested in showcasing the skills and stories of our overlapping communities. The more the merrier!

Celebrate the Birth of Quirky Black Girls Magazine!

Check us out!!!!
http://www.crawldog.com/qbgmagcom/

Quirky Black Girls is a network of fierce black women. We share our dreams, visions, and thoughts with you by producing the feminist publication QBG (Quirky Black Girls) Magazine, a quarterly ezine focusing on politics, cultural criticism, and social change. QBG Magazine features our art, poetry, fiction and nonfiction, and our ruminations on popular culture and social issues.

mission
QBG Magazine aims to provide a forum for Quirky Black Girls - and those who love them - where feminist dialog is the only norm and following your truth is the the only rule.

QBG Manifesta
Because Audre Lorde looks different in every picture ever taken of her. Because Octavia Butler didn't care. Because Erykah Badu is a patternmaster. Because Macy Gray pimped it and Janelle Monae was ready.

Resolved. Quirky black girls wake up ready to wear a tattered society new on our bodies, to hold fragments of art, culture and trend in our hands like weapons against conformity, to walk on cracks instead of breaking our backs to fit in the mold.

We're here, We're Quirky, Get used to it!

.... Quirky Black girls don't march to the beat of our own drum; we hop, skip, dance, and move to rhythms that are all our own. We make our own drums out of empty lunchboxes, full imaginations and number 3 pencils.

Quirky Black girls are not quirky because they like white shit; rather they understand that because they like it, it is not the sole province of whiteness.

Quirky black girls are the answer to the promise that black means everything, birthing and burning a new world every time.

Sound it out. Quirky, like queer and key, different and priceless, turning and open. Black, not be lack but black one word shot off the tongue like blap, bam, black. Girl, like the curl in a hand turning towards itself to snap, write, hold or emphasize. Quirky. Black. Girl. You see us. Act like you know.

We demand that our audiences say "yes-sir-eee" if they agree and we answer our own question "What good do your words do, if they don't understand you?" by speaking anyway, even if our words are "bruised and misunderstood."

Quirky black girls are hot!
Whether you're ready to see it or not.

Quirky means rejecting a particular type of "value," a certain unreadiness for consumption and subsumption in an economy of black heterocapital. This means that Quirky Black Girls act independently of dominant social norms or standards of beauty. So fierce that others may not be able to appreciate us just yet.

No matter what age we are, we hold onto that girlhood drive for adventure, love for friends, independent spirit, wacky sense of humor, and hope for the future.

Quirky Black Girls resist boxes in favor of over lapping circles with permeable membranes that allow them to ebb and flow through their multiple identities.

Quirky Black Girls- Embrace the quirky!

Combahee Survival: Black Feminism Lives!!!!

Check out the Combahee Survival Project at www.combaheesurvival.wordpress.com!


Check out the Combahee Survival Project at www.combaheesurvival.wordpress.com!


We were never meant to survive. None of us. We were never meant to find each other, love each other, remember the warriors that came before. We were never meant to know these histories. We were never meant to turn our trauma into a map for transformation. We were never meant to survive. But we do it anyway. Break it down. Sur viv al. Life underneath waiting to embrace all of us. Survival is a poem written in a corner, found waiting in a basement, forgotten. Survival is when the timeliness of your word is more important than the longevity of one body. Survival is spirit connected through and past physical containers. Survival is running for your life and then running for Albany city council without consenting to the State. Survival is shaping change while change shapes you. Survival means refusing to believe the obvious. Survival means remembering the illegal insights censored in the mouths of our mothers. Survival is quilt patterns, garden beds. Survival means growing, learning, working it out. Survival is a formerly enslaved black woman planning and leading a battle that freed 750 slaves from inside an institution called the United States Military. Survival is out black lesbians creating a publishing movement despite an interlocking system of silences. Survival is a group of black women recording their own voices, remembering a river, a battle, a warrior and creating a statement to unlock the world. Survival is like that. We were never meant to survive. And we can do even more. This booklet moves survival to revival, like grounded growth, where seeds seek sun remembering how the people could fly. We are invoking the Combahee River Collective Statement and asking how it lives in our movement now. And the our and the we are key to this as individual gains mean nothing if others suffer. We were never meant to survive but we will thrive. We want roundness and wholeness, where everyone eats and has time to be creative has time to just be, What tools does it give that are necessary to our survival? What gaps does it leave us to lean into? Black feminism lives, but the last of the originally organized black feminist organizations in the United States were defunct by 1981. Here we offer and practice a model of survival that is spiritual and impossible and miraculous and everywhere, sometimes pronounced revival. Like it says on the yellow button that came included in the Kitchen Table Press pamphlet version of The Combahee River Collective Statement in 1986 "Black Feminism LIVES!" And therefore all those who were never meant to survive blaze open into a badass future anyway. Meaning something unpredictable and whole. We were. Never meant. To Survive. And here we are. And beyond survival, what of that? In 1977 the Combahee River Collective wrote "As Black women we see Black Feminism as the logical political movement to combat the manifold and simultaneuos oppressions that all women of color face." They also said "The inclusiveness of our politics makes us concerned with any situation that impinges on the lives of women, Third World and working people." And they concluded: "If Black women were free, it would mean that everyone else would have to be free since our freedom would necessitate the destruction of all the systems of oppression." Today we, a sisterhood of young black feminists, mentored in words and deeds by ancestors, elders, peers and babies, assert that by meditating on the survival and transformation of black feminism we can produce insight, strategy and vision for a holistic movement that includes ALL of us. So while this is a project instigated by self-proclaimed (and reclaimed) black feminists, our intention is that it can be shared and changed by everyone who is interested in freedom.

Special note to firewalkers...how great would it be to teach with, study groups and work with this amazing document? Let's do it!

www.brokenbeautiful.wordpress.com

JM!

YES!

Oh My GAWD. I just about had an orgasm when I found this in my blog reader. Sweet Jesus. Amen. Holy Spirit. Etc.

Only thing that could have made this collection look better than it already does is if some astute researcher came upon more of Octavia Butler's unpublished works and added a few to the mix. I just finished Bloodchild and Other Stories (2005) and my heart is still pounding. The woman was genius incarnate. Her stories are timeless.

If for nothing else but in her honor, indulge yourself in some delicious, fantastic, fabulous and (damn right) woman-centered Afrofuturism. To be released December 2008.

www.communityspeak.wordpress.com