Wednesday, May 20, 2009

Gospel: Body, Deviance and Soul

Hey fam!

Check out my review of Samiya Bashir's new book of poetry from independent black gay and lesbian publishing company RedBone Press. Here is an excerpt, please read the full review and join the conversation at Blackademics.org

love,

lex

gospel_cvr.jpgSet in the mouths of crows, on the edges of couches and dirty tables, and in the hands of the dispossessed, Bashir’s poems awaken a desire to caress the mundane, hoping your fingers will find divine crumbs of revelation. Bashir’s project, inhabiting the tradition of black gospel music’s straddling contradiction, standing in the sacred and the profane, is timely. In a moment when the question of the relationship between faith and sexuality has been put in the media limelight through the discourse of marriage amendments, this project takes a step back, redefining both sexuality and salvation with a close look at the infinite places and moments when the human body meets despair, pleasure and transcendence...

Tuesday, May 19, 2009

Zora! Festival

have you all seen this? http://www.zorafestival.com/index.html

FYI: FW: CFP
You have probably seen the call for papers below, posted at our website
over the last year, for the 2010 Zora Neale Hurston (ZNH) Festival of
the Arts and Humanities in Eatonville, Florida (USA) January 23-31,
2010.

The JUNE 1st deadline is around the corner, and your submissions is
enthusiastically anticipated from across disciplines and areas of study.

PLEASE FORWARD THIS EMAIL TO YOUR FRIENDS, COLLEAGUES , and LISTSERVES.

Taking a minute to forward the email below can make a world of
difference for this academic forum and for the sustainable development
of Eatonville, America's oldest incorporated African American town in
the US.

[Cultural preservation activism has helped this community survive urban
gentrification]

Questions?
See the call below and feel free to contact me directly.

Dr. Deidre Helen Crumbley: ZNH National Planner
Associate Professor/ Africana Studies Program
Interdisciplinary Studies Division Box 7107
North Carolina State University
Raleigh, NC 27695-7107, USA

CALL FOR ACADEMIC PAPERS
Invitation:
Scholars are invited to submit papers for the 2010 Zora Neale Hurston
Festival of the Arts and

Humanities (January 23 - 31). The festival theme is "Reflection on the
Life and Legacy of Zora Neale

Hurston 50 Years After Her Death."

The legacy of Zora Neale Hurston is a phenomenon that has undergone a
remarkable

development and expansion in recent decades, embracing, among others,
topics in ethnic identity, social

interactions, feminist theory, and cultural continuity. Hurston's unique
insights into folklore,

performance, and creative expression have invited new interpretation and
inspired emulation, while the

corpus of her own work has grown as a result of research and discovery.
The committee will welcome

papers exploring the dynamic dimensions of the Hurston legacy from
theoretical and/or historical

perspectives and will be especially attentive to appropriate
consideration of past, present, and emerging

scholarly content.

In a tradition of excellence, scholars are encouraged to engage the
literature and discourse of

their respective fields at the same that they present their findings
during the public forum in a form that

is accessible to academics in other disciplines and is also
intellectually stimulating for an intelligent

general audience.

Submission Instructions:

Submit a 150-word abstract along with an 500-word summary of your paper
that of your paper that indicates the

thesis or central question, which you plan to explore, as well as an
idea of the theoretical framework

within which your findings will be considered.

Deadline:

Abstract and summary are due June 1, 2009.

If your work is accepted for the festival, a copy of

the full paper must be submitted by November1, 2009.

Email your submission to:

Deidre Crumbley @: deidre_crumbley&ncsu.edu

AND

N. Y. Nathiri @: apec@cfl.rr.com



Then Mail a Hard Copy to:

Hurston Papers 2010

Preserve the Eatonville Community, Inc. (P.E.C.)

227 East Kennedy Boulevard

Eatonville, Florida 32751

Thursday, May 07, 2009

Forget Hallmark: Why Mother's Day is a Queer Black Left Feminist Thing

The Anti-Social Family by Michele Barrett and Mary McIntosh (1982)
Fear of a Queer Planet ed. Micheal Warner (1999)
Aberrations in Black: Towards a Queer of Color Critique by Roderick Ferguson (2004)
"Of Our Normative Strivings: African American Studies and the Histories of Sexuality" by Roderick Ferguson (2005)
"Queerness as Horizon: Utopian Hermeneutics in the Face of Gay Pragmatism" by Jose E. Munoz (2007)
"A 'New Freedom Movement of Negro Women': Sojourning for Truth, Justice, and Human Rights during the Early Cold War" by Erik S. McDuffie (2008)
Blood Dazzler by Patricia Smith (2008)
Something Like Beautiful: One Single Mother's Story by Asha Bandele (2009)*



My mother is black. So the means through which I was produced is a matter of national instability. My mother is black. So the trace of slavery waits every moment to ink my body with meaninglessness. My mother is black. So my living is a question of whether or not racism will be reproduced today. My mother is black. This same piece of information threatens my survival. But my mother is black, which is at the same time the only thing that makes my survival possible.

It's early morning. I am a little bit drunk on the sound of rain, but it occurs to me that I should get (you) ready for mother's day. It is very easy to notice that I am obsessed with mothering and mothers. Mother is the single most interesting and confusing word that I know. Next to black.

And here comes mother's day. For me this year mother's day means a million things. Expectancy, fear, obligation, inspiration, joy, admiration, deep reflection. A few weeks ago my mother told me that she thinks I will be such a great mother. It struck me that while I have always dreamed of becoming a mother, and intended to become a mother, it always comes as a surprise when anyone affirms that it is something that I can do, SHOULD do even. Because I live in a culture that criminalizes black mothers for creating and loving black children, a culture that criminalizes black kids for being born. And latino kids too. I have been taught that mothering is something that happens to you, and you deal with it, and fight for it, swallowing down shame and living with the threat that the state wants nothing more than to take your kids away from you in every way imaginable.

But it is not my mother who taught me that. My mother repeats again and again that mothering us is her greatest accomplishment, like asha her enduring joy and triumph despite everything. And trust, she has other great accomplishments. My mother, not through perfection, not through ease, but through sincere struggle, intense and even sometimes overwhelming love taught us something in her very being. My sister (now an ambitious account exec in New York) once confessed to me that though it might seem unfeminist the only thing she really cared about, the one thing that she knew she wanted to do for sure was to be a good mother. And I told her what I more recently wrote in a poem to one of my feminist theory students, who blessed up by bringing her daughter to class, "mothering is the most feminist act of all." My mother, like every black mother, has been slandered. But we know a lie when we see it. My brother wanted to punch every producer of CNN's disgusting "Black in America" series for daring to suggest that being raised by a black mother was the key liability destroying the life chances of black people. How dare they? How dare they? When our black mother is the only reason we know how to breathe and survive despite the toxic racism filling this world. How dare they?

It is no mystery why it is a cultural truth that talking about a black person's mother is a great way to unleash a universe of anger. Our mothers are slandered every single second of every single day. The media does it like it's it's job. And indeed it is.

And here is the risk. All this talk of mothering, all this affirmation and priviliging of mothering puts me at risk, not only in a mainstream narrative working to reproduce a nation built on racial hate and genocide, but also on the academic queer left. It is not very queer of me to keep talking about my mother this way. In fact (as Micheal Warner suggests) the only queer way for a black person to talk about a mother is the "irony" of the house mother in black gay ball culture. CNN is dead to me. The deeper betrayal is that queer studies participates in the slander of the black mother, agreeing with the story that says she should not exist.

Has Warner not considered (as Cathy Cohen makes very clear in Punks, Bulldaggers and Welfare Queens) that black mothering is already a queer thing? Because we were never meant to survive. So the Queen Mother in the house movement is not just throwing shade, the queen is doing the necessary work of mothering. Of saying these bodies black and queer almost to redundancy, these spirits that every facet of our society would seek to destroy, MUST survive and WILL transform the meaning of life whether you like it or not. That is what a black mother does. Sincerely. It is no joke.

So this week I have been picking a bone with a queer theory narrative that sees mothering as the least radical thing one can do, in so much that it becomes irrelevant to the majority of the discourse on queerness. Clearly, like Moynihan, they don't know my mother. Asserting that the labor of mothering is always in collaboration with the reproductive narrative that reproduces heteronormativity ignores the fact there has been a national consensus for centuries that black people should not be able to mother and every force, from coercive sterlization, to workfare has been mobilized to try to keep them from doing it. Where has the dominant (read white) queer theory been while politicians have been ranting and raving about how welfare queens, (which despite the actual statistics becomes a code name for poor and racialized mothers) are going to destroy civilization as we know it by not only creating black surplus children, but by influencing these children with their deviant and risky and scary behavior? And isn't this the organizing desire of queer theory....to destroy civilization as we know it?

I just wish everyone would listen to Cathy Cohen (who by the way is a black co-mother to a beautiful fierce black girl-child) so I wouldn't have to stand here screaming (or more accurately sit here taking deconstructing and rebuilding the premises of queer theory all week long). But here is the quick and dirty of it...mainstream queer theory as inaugurated by Warner's edited volume and influenced by a Marxist feminst tradition of critiquing the heteropatriarchal family as a complicit force in the reproduction of capitalist oppression throw the black babies out with the bathwater of their universalism. The "tyranny of motherhood" as described by Barrett and McIntosh does not leave room for those other deployments of "mother" and "hood" (excuse me "inner-city") in the American vernacular of culture of poverty discourse.

This is why Hortense Spillers should be required and repeated reading for queer theorists. Four words. Mama's Baby Papa's Maybe. Which means there is no reason that the act of mothering would reproduce patriarchy, or even take place within the confines of patriarchy along normative lines because the practice of American slavery has so fundamentally ripped the work of mothering from the bodies of black mothers (forcing them to do the labor of mothering for white and black children while fully denying them any of the authority of motherhood by killing and selling away and raping and mutilating their children. (I have posted here before about my discovery, while reading slave code, that even a free black mother had no legal right to defend an enslaved daughter from abuse by a slave master.)

The complexity of the term mother (next to black) requires a queer theory that deuniversalizes race and highlights the function of racism in reproducing the heteropatriarcal status quo. Cathy Cohen, Roderick Ferguson and Jose Munoz do this work of reminding us that Third World Feminism and the Third World Gay Liberation movement are an alternative starting point (contemporary with the Marxist feminist arguments that Warner's version of queer theory inherits). Their work is crucial because it says something very obvious. We are people of color. The whole system wake up every day trying to exterminate our bodies and our spirits. Our very survival is queer.

We were never meant to survive, and if mothers are part of why we are here (and they are), then they are the queerest of us all. But this is not even news. If we remember what black women have been up to in the United States we can just go ahead and let go of the asumption that mothering is conservative or that conserving and nurturing the lives of black children has ever had any validated place in the official American political spectrum.


Eslanda Robeson
Charlotta Bass
Shirley Graham Du Bois
Mary Church Terell
Maude White Katz

Take the fierce black women writers, mothers, publishers, actresses, activists
who would become the Sojourners for Truth and Justice and their work starting in the 1940's to protest the imprisonment of Rosa Lee Ingram a black mother who was sentenced to death for standing up for herself, and defending herself against a white man who tried to rape her. It was black women activists who changed her sentence to life in prison and then eventually (after 12 years incarceration) got her released from prison. And always always the key word in their organizing strategy was "mother." Their key understanding of Ingram who was willing to fight to keep this violent man away from her body and away from her children epitomized the term "mother" for this set of black woman revolutionaries. They framed the state's violence against Ingram as a violence against black mothering itself. How dare this black woman take a stance against rape. Standing against rape is a mothering act. How dare she threaten the perceived truth about what happens to black people, that black bodies are infinitely rapeable. How dare she stand ferocious, daring and teaching. This is what will happen to you if you come at me. This is the act of mothering that mobilized a national movement, black women gathered twenty-five thousands signatures for a petition in 1949...way before the era of the text message e-blast petition. They made it an international human rights issue, contacting every single member nation of the UN. And I need you to know this, remember this if you remember nothing else:

On Mother's Day, exactly 60 years ago the black left internationalist feminists of Ingram Committee sent TEN THOUSAND MOTHER'S DAY CARDS to the White House and scared Harry S. Truman so bad that he made up an excuse to miss their scheduled meeting the next day.

Ten thousand mother's day cards from black women to the white house. Stolen holiday. No justice, no peace in the form of ten thousand paper-cuts. A floral dare saying: celebrate this. This is what mothering means: organized support for radical self-defense. A complete refusal of rape by any means necessary. Ten thousand Mother's Day cards. A threat saying we are black mothers. We are survivors. Try us.

Forget hallmark.

Have a revolutionary Mother's Day people.




*(Outside of the above timeline, sit Cathy Cohen's "Punks, Bulldaggers and Welfare Queens" and Hortense Spillers's "Mama's Baby Papa's Maybe" which i did not reread this week...but have completely internalized such that I should be understood to be citing them no matter what I am saying about anything.-apg)

Monday, May 04, 2009

BrokenBeautiful Blooming!: The Spring Update

It's Spring!!! That bright, sexy season when we remember the full color of the world and everything becomes possible again! So what better way to celebrate the rebirth of the planet than to break your beautiful spirit out of its shell?

BrokenBeautiful Press (www.brokenbeautiful.wordpress.com) is ready for your reawakening with exciting new projects for you to check out, participate in and support.

On the move:

a queer black mobilehomecoming


BrokenBeautiful Press is partnering with Queer Renaissance to embark on a monumental journey in celebration of the bravery and genuis of the trailblazers of the black queer/lesbian/gender-non-conforming community. Think "black lesbian Eyes on the Prize" y'all! A year from today Alexis and Julia will be getting in an environmentally sustainable RV and hitting the road to learn, document and transmit the legacies of brave black queer warriors who have been transforming the meaning of life since the 1980's or earlier and hosting amazing intergenerational community education events all over the US. To find out more and to offer resources, advice or financial support go to: www.mobilehomecoming.wordpress.com

SPEAK!: Support Radical Mamis of Color!
BrokenBeautiful Press is proud to celebrate the birth of the most radical spoken word CD ever. Think This Bridge Called My Back in audio form! Speak Media Collective, a group of radical women of color transforming the world through new media, has launched a self-titled spoken word CD as a grassroots fundraiser to support the participation of young mothers of color in the Allied Media Conference. Help moms and kids of color travel to this national media gathering and get your mind blown at the same time. The CD includes a zine and a curriculum guide for using the CD in your community and classroom. To get your copy go to www.speakmediacollective.com

Community Education:
Combahee Survival: A Movement Revival:
In 1977 a crew of radical black socialist lesbian feminists wrote a document that changed the landscape of social justice forever. More than 30 years later young black feminists are tracking the survival of the analysis of interlocking oppressions and holistic transformation that the members of the Combahee River Collective stood for in the progressive community at large. The Combahee Survival Project is a dispersed community education project that shines light on and nurtures the seeds of a radical intersectional approach all over our social justice movement. Go to www.combaheesurvival.wordpress.com to see poetic activities that draw on the words of the original statement, examples from community organizers who are still wrestling with the issues the collective raised and worksheets to use in your community, and look out for the Survival/Revival activity of the week brought to you by BrokenBeautiful Press all summer long!

Eternal Summer of the Black Feminist Mind
In Durham, North Carolina (aka vanguard city, center of the universe) a growing, diverse and beautiful group of folks have gathered in the name of black feminism. With delicious potlucks to discuss key essays by black feminists, fieldtrips to hear black feminist poetry, and more we are acting on our faith that the radical work of visionaries like Claudia Jones, Angela Davis, June Jordan can inform and transform our city and our lives. And like-minded devotees in Chicago, DC and other cities have joined in. Follow along, find out about upcoming events and download free reading material at www.blackfeministmind.wordpress.com

Interact!!!!!

Habit Forming Love: The Video Project:
They say it takes 21 days to form a habit, so your girl Alexis decided to cultivate the habit of loving herself and her people (you!) fully, bravely, loudly and proudly. What better habit could there be? Experimenting with (and teaching herself) the art of internet video production and sharing she created videos of love for self, love in community and growing love for her sweetheart. Now it's your turn! Go to www.habitforminglove.wordpress.com
to browse Lex's videos and make your own!

In Your Hands: Letters from Ancestors
Alexis started the year with a life-changing, spirit-humbling process of receiving letters from black feminist ancestors who gave loving advice, welcome reminders and sometimes difficult challenges and lessons. Read letters from Audre Lorde, Octavia Butler, Lydia May Gumbs (lex's grandma), Toni Cade Bambara and more at www.motherourselves.wordpress.com and add your own letters about your communication with your chosen and familial ancestors.



It's Spring! Anything is possible, even you and the life-changing love that makes your spirit tingle and grow.

Stay fly!
love always,
BrokenBeautiful Press
brokenbeautifulpress@gmail.com