Friday, August 14, 2009

stop state sanctioned violence against women of color

On March 3rd, 2009, Aniysah was taken from her mother’s arms by New York’s Family Court System and placed in the care of Aniysah’s father who has a history of domestic violence offenses. Furthermore, there were no records verifying that she would be taken to a safe living environment or that she was enrolled in school. Questions about her health and well-being went unanswered. That was over 150 days ago. To date, Aniysah remains lost in the family court system. A system where black and brown children go missing every day. A system where black mothers like Aniysah’s are often left to fend for themselves in a brutal, dogged battle just to make sure their children are safe. On the surface, this case appears to be a simple custody dispute, however, if one digs deeper it is a story about the injustices of New York’s Family Court System and how it fails brown women and children daily and how it can be used to further terrorize and re-victimize survivors of domestic violence.


Here at Document the Silence, one of our goals is to break the silence surrounding violence against women of color, particularly those who are poor and working class. Moreover, we want to raise awareness about how this violence informs and intersects with various aspects of our culture, including the media, and the legal system. Thus, we think it’s critical to point out that the “Where’s Aniysah” campaign is not only about the failings of the family court system but is also about domestic violence and how it has shaped the legal struggles of Aniysah and her mother, Angeline. As a survivor of domestic violence at the hands of Anyisah’s father, Angeline is a living testament to the “intimate” connections between experiences of abuse among women of color and the mistreatment they experience in the family court system.
Because of the case is still pending we cannot list all the facts of the case in this email, but you can find all the facts on our website, (http://documentthesilence.wordpress.com).

It’s time to hold the family court system accountable. Document the Silence asks that you join them in the “Where's Aniysah?” campaign by posting information about this case on your blogs, online social networks and throughout your community (http://documentthesilence.wordpress.com). At the website you will also find a petition, http://www.petitionspot.com/petitions/wheresaniysah/ and additional facts and information about Anyisah’s case, and suggestions for what you can do to demand that justice is served on August 24, 2009. We especially encourage you to leave comments on the site expressing your support for Aniysah and any details about what you plan to do to help.

If you are in the New York City area, please show your support for Angeline’s case by coming to her next family court hearing on August 24, 2009 at 11:00 am. The courthouse is located at:


Courtroom E-123, Annex Building
Justice Fernando M. Camacho
125-01 Queens Boulevard
Kew Gardens, NY 11415

If you can make it to Angeline’s next court hearing on August 24, 2009, please let us know by emailing us at: WheresAniysah_Campaign@yahoo.com

Thank you in advance for doing your part in breaking the silence surrounding injustices against women and children of color..

In solidarity,


Document the Silence

Wednesday, August 12, 2009

First Ever Eternal Summer of the Black Feminist Mind PODCAST!!!!

audredeveaux_alexisjune-jordanVIIB29

Check out this FIRST EVER PODCAST as part of the BrokenBeautiful Press educational campaign "Eternal Summer of the Black Feminist Mind." Black Feminism LIVES by every means necessary.

What does it take to survive a year like 1979?

This first podcast is about the year 1979 and how the world, and black feminism began and ended in some crucial ways that year. With the election of Ronald Reagan, the Boston Murders, the Atlanta Child Murders and the Greensboro Massacre all attacking the the lives, minds and spirits of black women 1979 was a crucial year. This podcast focuses on how Audre Lorde, Alexis DeVeaux, June Jordan and Barbara Smith reach(ed) across time and space to transform the meaning of survival. (And there is some good period appropriate and anachronistic music too!)

download here:
http://brokenbeautiful.wordpress.com/files/2009/08/1979.m4a

Please leave comments here!

p.s. Sorry about the moments of outburst distortion. A sista is clearly super exuberantly excited about black feminism and promises to stay a little further away from the mic on podcast number two! :)

Tuesday, August 04, 2009

Black August Bravery

Y'all it's Black August!
Check out this essay on the meaning of Black August
http://panafricannews.blogspot.com/2008/07/meaning-of-black-august-2008-essay-by.html


August
is also a good time of year to transform and re-energize for those of us involved in the Academic Industrial Complex (which we remember shares many of the funding sources and disciplinary purposes as the prison without forgetting the privilege that access to academic spaces grants some of us). And some of us are brave. Work is beginning on a website for black feminist scholars to supplement publication of Still Brave a Black Women's Studies reader in the tradition of ground breaking book All the Women Are White, All the Blacks are Men, But Some of Us Are Brave.

Wanna help? Email alexispauline@gmail.com or moyazb@gmail.com!

Saturday, July 18, 2009

DC Vigil for Lei Tyree Johnson

Ignore domestic violence as someone else's issue #youdothis.
Agitate and Conversate on the damage being done in your communities #idothis

Come out, come out, please! And RT/Repost this widely:

Because my writing has had to take precedent over other projects over the summer I haven’t been posting here as much as I would like. However I just received an email that bears posting:

On July 1, 2009, Lei Tyree Johnson with a male friend was shot and killed by her ex-boyfriend, who also attempted to suffocate her 12-year old son. A vigil honoring Johnson and the cause of Domestic Violence will be held on Wednesday, July 22, 2009 from 7pm-9pm at UDC-Denard Plaza. The event is co-sponsored by the Beta Iota Chapter of Delta Sigma Theta (Johnson crossed at Beta Iota in 2000) and the UDC Pan Hell. If you are in the DC/MD/VA area PLEASE come out and help take a stand against domestic violence.

Attire: Members of Fraternities and Sororities wear paraphernalia

Bring a white candle & a friend.

For further information please contact dcdelta4life@gmail.com

Those on twitter PLEASE tweet this. Those on facebook please share this. Those who are simply blog readers, please share this however you can. In times like these I fear this will become even more common than it (unfortunately) already is.

Tuesday, June 09, 2009

Wednesday, May 20, 2009

Gospel: Body, Deviance and Soul

Hey fam!

Check out my review of Samiya Bashir's new book of poetry from independent black gay and lesbian publishing company RedBone Press. Here is an excerpt, please read the full review and join the conversation at Blackademics.org

love,

lex

gospel_cvr.jpgSet in the mouths of crows, on the edges of couches and dirty tables, and in the hands of the dispossessed, Bashir’s poems awaken a desire to caress the mundane, hoping your fingers will find divine crumbs of revelation. Bashir’s project, inhabiting the tradition of black gospel music’s straddling contradiction, standing in the sacred and the profane, is timely. In a moment when the question of the relationship between faith and sexuality has been put in the media limelight through the discourse of marriage amendments, this project takes a step back, redefining both sexuality and salvation with a close look at the infinite places and moments when the human body meets despair, pleasure and transcendence...

Tuesday, May 19, 2009

Zora! Festival

have you all seen this? http://www.zorafestival.com/index.html

FYI: FW: CFP
You have probably seen the call for papers below, posted at our website
over the last year, for the 2010 Zora Neale Hurston (ZNH) Festival of
the Arts and Humanities in Eatonville, Florida (USA) January 23-31,
2010.

The JUNE 1st deadline is around the corner, and your submissions is
enthusiastically anticipated from across disciplines and areas of study.

PLEASE FORWARD THIS EMAIL TO YOUR FRIENDS, COLLEAGUES , and LISTSERVES.

Taking a minute to forward the email below can make a world of
difference for this academic forum and for the sustainable development
of Eatonville, America's oldest incorporated African American town in
the US.

[Cultural preservation activism has helped this community survive urban
gentrification]

Questions?
See the call below and feel free to contact me directly.

Dr. Deidre Helen Crumbley: ZNH National Planner
Associate Professor/ Africana Studies Program
Interdisciplinary Studies Division Box 7107
North Carolina State University
Raleigh, NC 27695-7107, USA

CALL FOR ACADEMIC PAPERS
Invitation:
Scholars are invited to submit papers for the 2010 Zora Neale Hurston
Festival of the Arts and

Humanities (January 23 - 31). The festival theme is "Reflection on the
Life and Legacy of Zora Neale

Hurston 50 Years After Her Death."

The legacy of Zora Neale Hurston is a phenomenon that has undergone a
remarkable

development and expansion in recent decades, embracing, among others,
topics in ethnic identity, social

interactions, feminist theory, and cultural continuity. Hurston's unique
insights into folklore,

performance, and creative expression have invited new interpretation and
inspired emulation, while the

corpus of her own work has grown as a result of research and discovery.
The committee will welcome

papers exploring the dynamic dimensions of the Hurston legacy from
theoretical and/or historical

perspectives and will be especially attentive to appropriate
consideration of past, present, and emerging

scholarly content.

In a tradition of excellence, scholars are encouraged to engage the
literature and discourse of

their respective fields at the same that they present their findings
during the public forum in a form that

is accessible to academics in other disciplines and is also
intellectually stimulating for an intelligent

general audience.

Submission Instructions:

Submit a 150-word abstract along with an 500-word summary of your paper
that of your paper that indicates the

thesis or central question, which you plan to explore, as well as an
idea of the theoretical framework

within which your findings will be considered.

Deadline:

Abstract and summary are due June 1, 2009.

If your work is accepted for the festival, a copy of

the full paper must be submitted by November1, 2009.

Email your submission to:

Deidre Crumbley @: deidre_crumbley&ncsu.edu

AND

N. Y. Nathiri @: apec@cfl.rr.com



Then Mail a Hard Copy to:

Hurston Papers 2010

Preserve the Eatonville Community, Inc. (P.E.C.)

227 East Kennedy Boulevard

Eatonville, Florida 32751

Thursday, May 07, 2009

Forget Hallmark: Why Mother's Day is a Queer Black Left Feminist Thing

The Anti-Social Family by Michele Barrett and Mary McIntosh (1982)
Fear of a Queer Planet ed. Micheal Warner (1999)
Aberrations in Black: Towards a Queer of Color Critique by Roderick Ferguson (2004)
"Of Our Normative Strivings: African American Studies and the Histories of Sexuality" by Roderick Ferguson (2005)
"Queerness as Horizon: Utopian Hermeneutics in the Face of Gay Pragmatism" by Jose E. Munoz (2007)
"A 'New Freedom Movement of Negro Women': Sojourning for Truth, Justice, and Human Rights during the Early Cold War" by Erik S. McDuffie (2008)
Blood Dazzler by Patricia Smith (2008)
Something Like Beautiful: One Single Mother's Story by Asha Bandele (2009)*



My mother is black. So the means through which I was produced is a matter of national instability. My mother is black. So the trace of slavery waits every moment to ink my body with meaninglessness. My mother is black. So my living is a question of whether or not racism will be reproduced today. My mother is black. This same piece of information threatens my survival. But my mother is black, which is at the same time the only thing that makes my survival possible.

It's early morning. I am a little bit drunk on the sound of rain, but it occurs to me that I should get (you) ready for mother's day. It is very easy to notice that I am obsessed with mothering and mothers. Mother is the single most interesting and confusing word that I know. Next to black.

And here comes mother's day. For me this year mother's day means a million things. Expectancy, fear, obligation, inspiration, joy, admiration, deep reflection. A few weeks ago my mother told me that she thinks I will be such a great mother. It struck me that while I have always dreamed of becoming a mother, and intended to become a mother, it always comes as a surprise when anyone affirms that it is something that I can do, SHOULD do even. Because I live in a culture that criminalizes black mothers for creating and loving black children, a culture that criminalizes black kids for being born. And latino kids too. I have been taught that mothering is something that happens to you, and you deal with it, and fight for it, swallowing down shame and living with the threat that the state wants nothing more than to take your kids away from you in every way imaginable.

But it is not my mother who taught me that. My mother repeats again and again that mothering us is her greatest accomplishment, like asha her enduring joy and triumph despite everything. And trust, she has other great accomplishments. My mother, not through perfection, not through ease, but through sincere struggle, intense and even sometimes overwhelming love taught us something in her very being. My sister (now an ambitious account exec in New York) once confessed to me that though it might seem unfeminist the only thing she really cared about, the one thing that she knew she wanted to do for sure was to be a good mother. And I told her what I more recently wrote in a poem to one of my feminist theory students, who blessed up by bringing her daughter to class, "mothering is the most feminist act of all." My mother, like every black mother, has been slandered. But we know a lie when we see it. My brother wanted to punch every producer of CNN's disgusting "Black in America" series for daring to suggest that being raised by a black mother was the key liability destroying the life chances of black people. How dare they? How dare they? When our black mother is the only reason we know how to breathe and survive despite the toxic racism filling this world. How dare they?

It is no mystery why it is a cultural truth that talking about a black person's mother is a great way to unleash a universe of anger. Our mothers are slandered every single second of every single day. The media does it like it's it's job. And indeed it is.

And here is the risk. All this talk of mothering, all this affirmation and priviliging of mothering puts me at risk, not only in a mainstream narrative working to reproduce a nation built on racial hate and genocide, but also on the academic queer left. It is not very queer of me to keep talking about my mother this way. In fact (as Micheal Warner suggests) the only queer way for a black person to talk about a mother is the "irony" of the house mother in black gay ball culture. CNN is dead to me. The deeper betrayal is that queer studies participates in the slander of the black mother, agreeing with the story that says she should not exist.

Has Warner not considered (as Cathy Cohen makes very clear in Punks, Bulldaggers and Welfare Queens) that black mothering is already a queer thing? Because we were never meant to survive. So the Queen Mother in the house movement is not just throwing shade, the queen is doing the necessary work of mothering. Of saying these bodies black and queer almost to redundancy, these spirits that every facet of our society would seek to destroy, MUST survive and WILL transform the meaning of life whether you like it or not. That is what a black mother does. Sincerely. It is no joke.

So this week I have been picking a bone with a queer theory narrative that sees mothering as the least radical thing one can do, in so much that it becomes irrelevant to the majority of the discourse on queerness. Clearly, like Moynihan, they don't know my mother. Asserting that the labor of mothering is always in collaboration with the reproductive narrative that reproduces heteronormativity ignores the fact there has been a national consensus for centuries that black people should not be able to mother and every force, from coercive sterlization, to workfare has been mobilized to try to keep them from doing it. Where has the dominant (read white) queer theory been while politicians have been ranting and raving about how welfare queens, (which despite the actual statistics becomes a code name for poor and racialized mothers) are going to destroy civilization as we know it by not only creating black surplus children, but by influencing these children with their deviant and risky and scary behavior? And isn't this the organizing desire of queer theory....to destroy civilization as we know it?

I just wish everyone would listen to Cathy Cohen (who by the way is a black co-mother to a beautiful fierce black girl-child) so I wouldn't have to stand here screaming (or more accurately sit here taking deconstructing and rebuilding the premises of queer theory all week long). But here is the quick and dirty of it...mainstream queer theory as inaugurated by Warner's edited volume and influenced by a Marxist feminst tradition of critiquing the heteropatriarchal family as a complicit force in the reproduction of capitalist oppression throw the black babies out with the bathwater of their universalism. The "tyranny of motherhood" as described by Barrett and McIntosh does not leave room for those other deployments of "mother" and "hood" (excuse me "inner-city") in the American vernacular of culture of poverty discourse.

This is why Hortense Spillers should be required and repeated reading for queer theorists. Four words. Mama's Baby Papa's Maybe. Which means there is no reason that the act of mothering would reproduce patriarchy, or even take place within the confines of patriarchy along normative lines because the practice of American slavery has so fundamentally ripped the work of mothering from the bodies of black mothers (forcing them to do the labor of mothering for white and black children while fully denying them any of the authority of motherhood by killing and selling away and raping and mutilating their children. (I have posted here before about my discovery, while reading slave code, that even a free black mother had no legal right to defend an enslaved daughter from abuse by a slave master.)

The complexity of the term mother (next to black) requires a queer theory that deuniversalizes race and highlights the function of racism in reproducing the heteropatriarcal status quo. Cathy Cohen, Roderick Ferguson and Jose Munoz do this work of reminding us that Third World Feminism and the Third World Gay Liberation movement are an alternative starting point (contemporary with the Marxist feminist arguments that Warner's version of queer theory inherits). Their work is crucial because it says something very obvious. We are people of color. The whole system wake up every day trying to exterminate our bodies and our spirits. Our very survival is queer.

We were never meant to survive, and if mothers are part of why we are here (and they are), then they are the queerest of us all. But this is not even news. If we remember what black women have been up to in the United States we can just go ahead and let go of the asumption that mothering is conservative or that conserving and nurturing the lives of black children has ever had any validated place in the official American political spectrum.


Eslanda Robeson
Charlotta Bass
Shirley Graham Du Bois
Mary Church Terell
Maude White Katz

Take the fierce black women writers, mothers, publishers, actresses, activists
who would become the Sojourners for Truth and Justice and their work starting in the 1940's to protest the imprisonment of Rosa Lee Ingram a black mother who was sentenced to death for standing up for herself, and defending herself against a white man who tried to rape her. It was black women activists who changed her sentence to life in prison and then eventually (after 12 years incarceration) got her released from prison. And always always the key word in their organizing strategy was "mother." Their key understanding of Ingram who was willing to fight to keep this violent man away from her body and away from her children epitomized the term "mother" for this set of black woman revolutionaries. They framed the state's violence against Ingram as a violence against black mothering itself. How dare this black woman take a stance against rape. Standing against rape is a mothering act. How dare she threaten the perceived truth about what happens to black people, that black bodies are infinitely rapeable. How dare she stand ferocious, daring and teaching. This is what will happen to you if you come at me. This is the act of mothering that mobilized a national movement, black women gathered twenty-five thousands signatures for a petition in 1949...way before the era of the text message e-blast petition. They made it an international human rights issue, contacting every single member nation of the UN. And I need you to know this, remember this if you remember nothing else:

On Mother's Day, exactly 60 years ago the black left internationalist feminists of Ingram Committee sent TEN THOUSAND MOTHER'S DAY CARDS to the White House and scared Harry S. Truman so bad that he made up an excuse to miss their scheduled meeting the next day.

Ten thousand mother's day cards from black women to the white house. Stolen holiday. No justice, no peace in the form of ten thousand paper-cuts. A floral dare saying: celebrate this. This is what mothering means: organized support for radical self-defense. A complete refusal of rape by any means necessary. Ten thousand Mother's Day cards. A threat saying we are black mothers. We are survivors. Try us.

Forget hallmark.

Have a revolutionary Mother's Day people.




*(Outside of the above timeline, sit Cathy Cohen's "Punks, Bulldaggers and Welfare Queens" and Hortense Spillers's "Mama's Baby Papa's Maybe" which i did not reread this week...but have completely internalized such that I should be understood to be citing them no matter what I am saying about anything.-apg)

Monday, May 04, 2009

BrokenBeautiful Blooming!: The Spring Update

It's Spring!!! That bright, sexy season when we remember the full color of the world and everything becomes possible again! So what better way to celebrate the rebirth of the planet than to break your beautiful spirit out of its shell?

BrokenBeautiful Press (www.brokenbeautiful.wordpress.com) is ready for your reawakening with exciting new projects for you to check out, participate in and support.

On the move:

a queer black mobilehomecoming


BrokenBeautiful Press is partnering with Queer Renaissance to embark on a monumental journey in celebration of the bravery and genuis of the trailblazers of the black queer/lesbian/gender-non-conforming community. Think "black lesbian Eyes on the Prize" y'all! A year from today Alexis and Julia will be getting in an environmentally sustainable RV and hitting the road to learn, document and transmit the legacies of brave black queer warriors who have been transforming the meaning of life since the 1980's or earlier and hosting amazing intergenerational community education events all over the US. To find out more and to offer resources, advice or financial support go to: www.mobilehomecoming.wordpress.com

SPEAK!: Support Radical Mamis of Color!
BrokenBeautiful Press is proud to celebrate the birth of the most radical spoken word CD ever. Think This Bridge Called My Back in audio form! Speak Media Collective, a group of radical women of color transforming the world through new media, has launched a self-titled spoken word CD as a grassroots fundraiser to support the participation of young mothers of color in the Allied Media Conference. Help moms and kids of color travel to this national media gathering and get your mind blown at the same time. The CD includes a zine and a curriculum guide for using the CD in your community and classroom. To get your copy go to www.speakmediacollective.com

Community Education:
Combahee Survival: A Movement Revival:
In 1977 a crew of radical black socialist lesbian feminists wrote a document that changed the landscape of social justice forever. More than 30 years later young black feminists are tracking the survival of the analysis of interlocking oppressions and holistic transformation that the members of the Combahee River Collective stood for in the progressive community at large. The Combahee Survival Project is a dispersed community education project that shines light on and nurtures the seeds of a radical intersectional approach all over our social justice movement. Go to www.combaheesurvival.wordpress.com to see poetic activities that draw on the words of the original statement, examples from community organizers who are still wrestling with the issues the collective raised and worksheets to use in your community, and look out for the Survival/Revival activity of the week brought to you by BrokenBeautiful Press all summer long!

Eternal Summer of the Black Feminist Mind
In Durham, North Carolina (aka vanguard city, center of the universe) a growing, diverse and beautiful group of folks have gathered in the name of black feminism. With delicious potlucks to discuss key essays by black feminists, fieldtrips to hear black feminist poetry, and more we are acting on our faith that the radical work of visionaries like Claudia Jones, Angela Davis, June Jordan can inform and transform our city and our lives. And like-minded devotees in Chicago, DC and other cities have joined in. Follow along, find out about upcoming events and download free reading material at www.blackfeministmind.wordpress.com

Interact!!!!!

Habit Forming Love: The Video Project:
They say it takes 21 days to form a habit, so your girl Alexis decided to cultivate the habit of loving herself and her people (you!) fully, bravely, loudly and proudly. What better habit could there be? Experimenting with (and teaching herself) the art of internet video production and sharing she created videos of love for self, love in community and growing love for her sweetheart. Now it's your turn! Go to www.habitforminglove.wordpress.com
to browse Lex's videos and make your own!

In Your Hands: Letters from Ancestors
Alexis started the year with a life-changing, spirit-humbling process of receiving letters from black feminist ancestors who gave loving advice, welcome reminders and sometimes difficult challenges and lessons. Read letters from Audre Lorde, Octavia Butler, Lydia May Gumbs (lex's grandma), Toni Cade Bambara and more at www.motherourselves.wordpress.com and add your own letters about your communication with your chosen and familial ancestors.



It's Spring! Anything is possible, even you and the life-changing love that makes your spirit tingle and grow.

Stay fly!
love always,
BrokenBeautiful Press
brokenbeautifulpress@gmail.com

Monday, April 27, 2009

Flamboyance

Hey all. This is a talk I gave yesterday at Radical Intersections a performance studies conference at Northwestern University. Let me know what you think!
love,
lex



Flamboyance: The Queer Survival of Black Feminism

Alexis Pauline Gumbs

Dedicated to Pauline McKenzie and Andria Hall

May I begin with an invocation?
This instant. This triumph. Black feminism was never meant to survive. This instant. This triumph. This is ritual. This instant and this triumph. Black feminism was never meant to survive. But here I am. Here we are. That is the queer thing. In 1981 by the time I was in my mother’s womb every explicitly black feminist organization in the United States was defunct, and the black women’s writing publishing trend was effectively over. Some say that black feminism went academic, went textual. Some say black feminism went new age, got touchy feely, stopped taking to the streets. Some say black feminism is anachronistic, useful only as a referent, a supplement, a precedent for something else. Black feminism (remember) is how we got this idea of interlocking systems of oppression, demarginalizing the intersection. But I have not heard anyone talk about the Combahee River Collective here. I have not heard us lift up the name Kimberlé Crenshaw yet at this conference about Radical Intersections. Hmm. It seems, black feminism was never meant to survive. And the queer thing is, here we are.

This is how I make my body legible to ancestors who I cannot choose or name. This is how I make my work accountable to swallowed rage in the mouths of people who were not invited. This is how we commune with the forgotten, reframe the possible, this is how we remember that we don’t know where we come from. This is makeshift reverence for pathways that do not meet, a time space that is not continuous. This is what her hand writing has to do with my slow breathing. This is what her late nights have to do with my early mornings. This is what his bitten tongue has to do with my declaration. This method is survival as performance, speech as meditation, memory as clothing, ocean as audience. This room is full of something that I will name black feminism. Tell me when it starts to burn.

Flamboyant. First an architectural term describing the construction of castles with framing blades, the colonial understanding of flowering trees, the Oxford English Dictionary remembers that flamboyant meant many things before it meant us, those of us who do not know better than to hide our brilliance, the transformative ones, burning like hell as we walk the earth. This meditation examines the way that black feminism survives in the queer bodies of work, bone, muscle and breath that remain, invoking the little known work of the Flamboyant Ladies, a performance group created by black lesbian feminists Alexis De Veaux and Gwendolyn Hardwick in their living room. This presentation situates the forgotten work of the Flamboyant Ladies, who created radical t-shirts, performance pieces, salons and a full day presentation about the impact of the nuclear moment on black communities in the 1970’s as a haunting, illegible precedent for the more contemporary work of UBUNTU and BrokenBeautiful Press, two initiatives based in Durham North Carolina that similarly use embodied poetics to respond to systemic violence, against women of color in the wake of the Duke Lacrosse and Dunbar Village cases and the torture and sexual assault of Megan Williams.
Seeking an embodied poetics of queer intergenerationality, a relationship between ancestors, elders and youth that survives by rejecting the social reproduction of oppression, rejecting the assumption that queerness and intergenerationality are mutually exclusive especially given the mandate that some of us are criminalized when we reproduce life and create family, this piece takes Flamboyance, that dangerous, queer stance, as a trajectory for the livelihood of feminism, taking seriously the (often cancerous) impact of the unceasing labor of and punishment for radical feminist work on the bodies of queer elders and ancestors including De Veaux, Hardwick, and collaborators, June Jordan and Audre Lorde. This is a work towards healing and survival. Healing and survival are queer methodologies for oppressed communities because we were never meant to survive. This is a collaborative offering of our bodies across time to the intergenerational work of performing, and making possible, the world we deserve.
The Flamboyant Lady Should Not Exist
Flamboyant Ladies co-founder and radical black lesbian feminist Alexis DeVeaux explains, “By the time Reagan came to power, opportunities for black women writers and artists, began to dry up in drastic kinds of ways. Publishers say ‘we have enough black books.’ The NEA becomes explicitly conservative.” Black women artists cannot support themselves with grants and publishing contracts from a lustful consuming public fascinated by the glamour of the self-articulation of black and feminine subjectivity. The novelty has worn off, it is no longer interesting that someone can be a woman and a black person at the same time. In fact by 1981 the Moynihan’s matriarchy thesis has become law and the danger of black women has become apparent. Reagan has by this time, coined the term welfare queen, that black woman who threatens the new neoliberal economic order by the criminal act of bearing black children, expendable and expensive drains on an increasingly anti-social economy, that black woman who threatens the logic that flesh and labor have differential values by loving black children as if they were priceless, that black woman who threatens the anti-social norms of late capital by raising children that will not consent to the terms of the economy, this crazy black woman who lives as if housing, and education, and food were community concerns. That crazy black woman, with the nerve to survive and to wear bright colors, big hair and a loud mouth while doing it. She is a problem.


The intersection is not a radical sexy place of queer and salient knowledge production at this point. The intersection is the place where June Jordan, Gwendolen Hardwick and Alexis DeVeaux have guns pulled on them by the New York City police occupying black neighborhoods in Brooklyn. That intersection has much more in common with the intersection that Crenshaw actually described, the traumatic scene of a violence that neither the law or the existing anti-oppressive theory could fully address, than with the logic of accumulation that we use to market ourselves as increasingly complicated scholars in an academic industrial complex primed to consume our difference. So maybe what these black feminists created at their particular juncture has something to teach us, now.
*
I never knew that waking up every morning with a new idea and ironing it on to a t-shirt for two years was an apprenticeship. I didn’t know that navigating the issue of socially transformative childcare with the idea that queer folks should dance and prisons should be abolished forever was a vigil I participated in towards the survival of my elders, I didn’t know that enacting healing as performance with a women of color led group of survivors of gendered violence was much older news than I could have imagined. I thought that I and we were, to quote Essex Hemphill, “making ourselves from scratch.” Our stories are not recycled and distributed on the wings of capital, so I became an eclectic priestess, ritualizing cotton, stickers, and the word yes. Experimenting in community with how our needs became analysis. I had no idea that I was an initiate in a practice called black feminism because the mode of black feminism that I practice, that we practice in my community is the forgotten, unpublished part of the story. But here we were speaking the lines, setting the scene, dancing the navigation home.

This is the only way I know how to tell you about the experience I had one day in the files of the African Ancestral Lesbian Archive, files of an archive that no longer exists, held in the all volunteer run brownstone of the Lesbian Herstory Archives in Brooklyn. My hand brushed across a flyer, a woman and then that same woman printed twice, partially hidden by the other’s hair, because it was big hair wild hair familiar hair, from my standpoint. Huge earrings, and full open mouths, the Flamboyant Ladies were hosting a performance in their living room to benefit “No More Prisons” a campaign by women to stand in solidarity with women in prison followed by a “women’s only” party with free childcare. I didn’t breathe as I turned to the next sheet with those same mirror image women thanking a community for supporting the daylong festival and t-shirt making initiative they had held about the question of how the anti-nuclear movement impacted black communities in the United States. I found an invitation to a traumatic (playing on the term dramatic) mythic performance designed to ignite healing by examining the sound, feel and timbre of embodied oppression. Alexis DeVeaux who held writing workshops and instigated public performances and self-published anthologies in her living room laughed on the phone when I finally got up the nerve to call her up and ask her how and why she did everything, but I nearly cried, because she was never meant to survive. And I had never expected to make sense.


Alexis DeVeaux uses the language of survival to describe the tactics that she and other black feminists who created their own alternative means of production used during that time period. “We did what we had to do to survive, if white publishers wouldn’t publish us, we would publish ourselves our resistance to being completely silenced was to be deeply creative. We are going to be here.” Looking at the work of the Flamboyant Ladies, an eclectic and radical black feminist performance group that has been almost completely forgotten by black feminist scholars and performance scholars alike, and meditating on the queer way in which that work survives, unintentionally and often unknowingly in the lives of some other, loud, belligerent creative, underfunded radical black women who came late to the game of black feminism, we have the opportunity to meditate on survival as a performance. Survival as a queer echo, a manifest lust in the bodies and work of those of us, who were never meant to survive. I think that this examination is especially crucial in this political and economic moment, which like the Nixon and Reagan eras is characterized by the gutting of social services, the channeling of huge amounts of public funds to the private sector and of course military interventions around the world in the name of so-called democracy. If we would survive, in any material sense, we must take heed of the strategies enacted by these earlier social actors.

So first let us remember that performance is not a stable mode of social reproduction, in fact, like the criminalized black mother, performance can be policed, paid, begged and pleaded with the re-establish the terms of the status quo, but it cannot never be trusted to do so. Homi Bhabha makes a famous distinction between the performative and the pedagogical in the imagination of the social and political unit of the nation reminds us that performance is queer, that is non-reproductive, and as we know the vast majority of performances remain undocumented, like classrooms, moments of possibility that you either witness, hear about after the fact, or miss completely. I have never seen any of the performances of the Flamboyant Ladies, and I never will. And before I was born all the black feminist organizations had fallen apart. And Audre Lorde, June Jordan, Gloria Anzaldua, Barbara Christian, Pat Parker…so many of my strongest feminist ancestors who would barely be elders by now are dead. Never meant to survive. But the queer thing is they do, and that survival is performative and it is happening right now. This performance of survival, the survival itself, protests and makes visible the conditions that make it unlikely, but it also threatens those conditions with the fierce reminder that, as Wahneema Lubiano has said, “Power is never complete.” This form of survival demands a queer rethinking of time and space, a queer reframing of body and memory, a diasporic inhabitation of the temporality of trauma, that our gaps in knowing, our post-dispersion decalage does not mean that our herstories are not everywhere waiting. This is research and it is also ritual because it requires action and faith. Does it burn? This is your part:

Consider the flame. Flickering. Transformative. Changing shape. That heat. That glow around those of us that, according to every story that keeps this anti-social society together, should be burning in hell. What is your flamboyance? That which keeps your flame alive, that which lives on you, bright through you that power had intendend to incinerate. Where on your body, where on your lips, where in your fingertips, where in your hair, does the blackened narrative emerge? What hollowed out remnant do you dance in now and what is the significance of what your longing remembers? Consider the flame. What cannot be forgotten even when it is not known? What will not destroy us even when we are flagrantly ourselves? What will we create instead?

This instant. This triumph. In you, something queer survives.

Monday, April 13, 2009

Habit Forming Love!

Introducing Habit Forming Love,

photo-39photo-161photo-11photo-18photo-6photo-38photo-5photo-8

They say it takes 21 days to form a habit…so on March 4th 2009 I embarked on a journey to love myself, my community and my chosen romantic partner intentionally, bravely, loudly and proudly. And now I am ready to share the results with you! In addition to teaching myself how to love, by transmitting my love via internet video I was also teaching myself how to make simple yet effective at home videos using my computer, my phone and very basic editing software and how to make those videos internet accessible.

This experiment has taught me so much. I have emerged less self-conscious about my own face, more confident about the miraculous vitality of love in all of its forms and more adept at using online video as a tool for self-expression, affirmation and community education.

The three focus areas of my project were

Self:

for example:


(Go to www.loveforself.blogspot.com to see the whole 21 day process)

Community

for example…

(Go to www.habitforminglove.blogspot.com for the whole 21 day process)

and Romantic Love

(Sorry loves…the whole process is for Julia’s eyes only wink!)

Browse the “life” “love” and “community” sections of this site to see some of my more detailed reflections on each process and more examples.

One of the most important things that this process taught me is that even an analog girl in a digital world can make compelling, effective video. I don’t have to be perfect to carry the message of love that my ancestors are speaking through me and the video doesn’t have to be perfect to carry it’s message. The magic is in the medium. Try it yourself, and email brokenbeautifulpress@gmail.com if you want to share!

love (is a habit),

lex

Wednesday, April 08, 2009

Betty's Daughter Arts Collaborative continues the "Working Our Rainbows: Critical Approaches to Africana Women's Performance Methodology" Series

Peace family. As I continue to think about "women's work", political division, art, community and sustainability, I am critically looking at these terms-feminist and womanist and how they create/define/conflate/re-iterate power, everyday "happenings" and creative performance dynamics among Black women.

The Working Our Rainbows Series is an at-home, mobile device, on line lecture series devoted to Black Women in Performance Studies. Please email bettysdaughterarts@gmail.com if you would like to host a lecture!


This weeks lesson:

1. Watch Staceyann Chin's performance of "Feminist or Womanist".
http://www.youtube.com/watch?v=PQOmyebFVV8

2. Read Revisiting "What's in a Name?": Exploring the Contours of Africana Womanist Thought
Nikol G Alexander-Floyd, Evelyn M Simien. Frontiers. Boulder:2006. Vol. 27, Iss. 1, p. 67-89,131-132 (25 pp.)

I will email the essay if you would like.

3. Write a letter to yourself answering some or all of these questions: 1. Am I a feminist? 2. Am I a womanist? 3. How do I identify politically, culturally, socially?

4. If you were talking to Alice Walker right now, what would you say to her about womanism? 5. If you were talking to Clenora Hudson Weems right now, what would you say to her about womanism? 6. If you were speaking to Audre Lorde right now, what would you ask her about hybridity? 7. If you were talking to your mama right now what would you ask her about herself?

Hit me up on facebook or respond on my blog here!


Peace and performance!

Ebony Noelle Golden
bettysdaughterarts@gmail.com
bettysdaughterarts.synthasite.com

Saturday, April 04, 2009

Leveraging the Academy: Suggestions for Radical Grad Students and Radicals Considering Grad School by Chris Dixon and Alexis Shotwell

Leveraging the Academy:
Suggestions for Radical Grad Students and Radicals Considering Grad School

by Chris Dixon and Alexis Shotwell

Romanticized, demonized, celebrated, denounced -- among activists in the United States and Canada, academia is all of these things. It is a gate-keeping institution that shapes and is shaped by relations of power and privilege. It is a site of intense struggle: those who are structurally excluded battle for access, while those who study there fight for affordable and relevant education, and those who work there demand dignity, respect, and living wages. It is a place both where people develop radical politics and transformative visions and where people seclude themselves in insular, disconnected ivory towers. These contradictions are stark. Yet radicals have tried to make use of the academy. Since the 1960s, in particular, graduate school has become an attractive pathway for many activists, but also often an isolating and depoliticizing one. This is still true today, as radicals active in a variety of movements are choosing to go to grad school.

The questions bound up in this choice are urgent ones: How might activist grad students concerned with fundamentally transforming this society make sense of the university? How might radicals involved in the university relate to it, evading its pitfalls and exploiting its openings? And most importantly, how can the space of the university be made useful for building broad-based radical left movements? We aim to approach these questions by offering some suggestions based in our own experiences of ambivalently occupying the university as graduate students with the hopes of using it to advance political work.

We are fortunate to be thinking about these issues from a site that has shown us many of the possibilities and perils of the academy. We are both graduate students at the University of California, Santa Cruz, in the History of Consciousness department. UCSC has a distinguished history of student, worker, and faculty struggle. During our tenure there, this history bloomed into vibrant coalitional work linking low-wage workers in union struggles with direct-action counter-recruitment manifestations, rank-and-file militancy in the teaching assistant union, and lively struggles around access and retention for traditionally marginalized students. Being at UCSC also taught us a lot about how much work is still to be done in university settings: we witnessed deep racial divides among UCSC's activist communities, "radical" faculty unwilling to step up to support low-wage immigrant workers, and a troubling tendency to forget even recent campus organizing history.

Our trajectories also shape our thinking on these matters. Chris, currently in the fifth year of his PhD, came to grad school out of a long engagement with anti-authoritarian politics and direct action organizing. Alexis came to grad school with a background in feminist politics and community radio and has just completed her doctorate. Both of us worked on rank-and-file organizing with and against our own union (UAW Local 2865), struggled in solidarity with campus service workers as part of a student-worker coalition, participated in counter-recruitment work, assisted with immigrant justice organizing, and worked on an annual Disorientation Guide. We engaged in many of these activities through a political collective made up of six grad students.

Our experience of doing political work as grad students is obviously partial. We don't think we have definitive answers. But we've tried to approach our work experimentally, and we'd like to share some results. Our hope is to open some conceptual terrain for expanded discussion and imagination about academe as a resource for change. We know that, as individuals, graduate students can and do play important activist roles outside the academy. In fact, we think that sort of work is vital. However, we want to examine some of the ways that we can do political work in university settings as well. We address these thoughts primarily to radical grad students and activists considering grad school, but we believe they are relevant for anyone concerned with making use of the academy to further movement-building and social transformation.

But First, a Reality-check

Graduate school shares some characteristics with what we hear about boot camp: humiliation, arbitrary rules, a pervasive anxiety about one's self-worth, dictatorial superiors wielding life-changing power, and grinding routines designed to wear down one's ability to resist. In short, grad school often creates exhausted, insecure, status-conscious people who distrust their own judgments and are thus more susceptible to the prevailing norms and styles of the academy. Perhaps the most pernicious norm is an individualistic and isolated mode of intellectual engagement, cutting grad students off from the very work that we think they are uniquely situated to take up.

On top of all this, being a graduate student is genuinely hard. We plunge into an area of study because we feel some passion for it, we spend years learning its vocabulary and methods, and we try to formulate research projects that will sustain our passion while allowing us to survive. Frequently our families of origin, and our non-academic friends, don't understand what we're doing, why we're doing it, or why it would be worthwhile. And even unionized grad students don't make much money, so we often come out of grad school with big debts and slim job prospects.

These features have been exacerbated by the neoliberalization of the university and the increased casualization of its workforce. That is, universities are increasingly run on a profit-making model, and a rapidly growing number of university employees are part-time, sessional workers with few rights. Campus workers -- from custodians and dining hall workers to clericals and non-tenure-track faculty -- are doing more labor for less pay in more precarious circumstances. Marc Bousquet has beautifully analyzed the place of graduate employee labor in this context. In "The Waste Product of Graduate Education: Toward a Dictatorship of the Flexible," Bousquet argues that the grad school system isn't primarily about producing PhDs for an imagined market in tenure track jobs. Rather, it is aimed at extracting teaching labor from not-yet-degreed graduate student employees, who will too often later become part of the casualized adjunct pool.

These challenging circumstances also point to opportunities. Each site of exploitation and misery in the lives of grad students is also a site for struggle. And because there are so many of these sites, grad students are uniquely positioned to help build connections among widely varied communities. Graduate students are workers: as teaching assistants, instructors of record, lab assistants, and research assistants, we can struggle for workplace justice and in solidarity with other workers. Graduate students are teachers: as teaching assistants and instructors, we can enact liberatory pedagogical methods, introduce oppositional knowledge and histories, support marginalized undergraduates in their university education, and more. Graduate students are students: as learners and researchers, we can help develop ideas that are relevant for changing the world. And graduate students are located in academic institutions: as members of university communities, we can participate in broader struggles to de-militarize university research, support outreach and retention, challenge funding and curricular priorities, fight sweatshop sourcing of food and university-branded clothing, and more.

Many grad students are uniquely situated in one other way: we come to grad school with movement backgrounds and activist commitments or develop political commitments through grad school. We should be nurturing and drawing on these experiences and commitments, perhaps with the help of some of the following suggestions. These things not only help to leverage the academy for changing the world, but can also help combat some of the soul-destroying features of academe we talked about above. Indeed, it is precisely this work that in itself changes the grad school experience from something like boot camp to something meaningful and politically useful.

Suggestion One: Understand the Academy as a Nexus for Organizing and Capacity-building

The university is by no means the most important site of social struggle today. Though radical ideas sometimes show up in academic discourse, they almost always originate elsewhere. Still, in the spirit of recognizing where we're located and trying to work from there, we think it is important to appreciate features of academe that make it ripe for political work. For one thing, though we can rightly critique the ivory tower, we can just as easily understand how universities are situated in dense webs of interconnection. The university, in fact, is a nexus through which systems of power manifest. For example, universities frequently replicate frameworks of access based on race and class. Organizing efforts for outreach and retention programs, or for various "ethnic studies" departments, are vibrant challenges on these grounds. Similarly, many universities are connected in significant ways to the military industrial complex; campaigns to keep recruiters off campuses and to demilitarize university funding are making crucial interventions in military-university relationships. Universities are also major employers and buyers of goods and services; pro-union, living wage, and anti-sweatshop struggles on campuses can thus have important catalyst effects. Because universities also concentrate a large number of energetic, exploratory young people in one place, there is a lot of potential for mobilization. In many ways, then, the university is an appropriate site for organizing, and political work there can have broader effects.

One especially significant effect of organizing in the university is a different kind of education, one that students gain not primarily through classrooms or books but through activism. Many undergrad activists develop skills and analysis as they work in student organizations, plan events, actions, and campaigns, face hostile administrators, contend with apathetic peers, try to understand and describe the systems they seek to change, experiment with organizing techniques, write and design flyers, websites, and publications, and engage in many other aspects of activist work. This is capacity-building: growing the sensibilities and competencies to do movement work. And graduate students can help in this process. We can share our own experiences as organizers (mistakes included). We can spark reflection and long-term strategic thinking. We can share our resources for political education. We can encourage student organizers to take care of themselves. We can use our positions to help student activists navigate tensions between their academic and political work (not necessarily mutually exclusive). We can ourselves remain (or become) lively, engaged participants in social struggles.

When we see the university as a nexus for struggle and capacity-building, we expand opportunities for social transformation.

Suggestion Two: Work with Undergraduates

What successful grad student organizing we did included significant work alongside and with undergraduate activist groups and involved bridging a pervasive grad-undergrad divide. In general, grad students rarely get involved in student activist groups -- as though "student" means "undergrad." Frequently, grad students are scared of large groups of undergrads, feel silly and awkward engaging with undergrad organizing, or feel like we're older, superior, and in a different place in our lives. And often undergrads don't think of inviting grad students to meetings or actions because we're perceived as disengaged and disinterested, or just intimidating. Sometimes these sorts of worries are accurate; addressing them can even be useful on both sides, since they involve broader questions about being welcoming and legible. It is true that graduate students and undergraduates are frequently in different places of their lives and will sometimes have different organizing priorities and internal cultures. But undergraduate student organizers are often the major motor of campus struggle. Also, with few exceptions, they're really fun.

Graduate students can contribute substantially to the campaigns and political work in which undergrads are involved. In 2004, for example, a student-worker coalition at UCSC initiated a year-long organizing campaign in support of low-wage and predominately Latino/a campus workers. As part of this coalition, graduate students made weekly classroom announcements about upcoming events and the ongoing campaign; wrote and distributed informational materials; drafted and circulated petitions and letters; helped to write press releases; used our access to faculty to advance organizing objectives; agitated with our union to get support for the coalition's goals; and mobilized grad students and other members of the campus community for pickets and direct actions. We've also seen grad students effectively supporting undergraduate work by helping with student publications, mentoring individual undergrad organizers, and providing some institutional memory. But we don't have to just play support roles; we can also initiate campaigns and work as full partners in ongoing organizing. In order to do any of this, however, grad students must build real relationships with undergraduates on a basis of equality and respect. This usually requires facing up to some of the ingrained teacher-student hierarchies we tend to manifest.

When collaborative undergrad-grad organizing happens, it is powerful and energizing.

Suggestion Three: Organize Grad Students

Organizing grad students, as the saying goes, is like herding cats (for all the reasons we talked about in our "reality check"). And often active grad students get isolated and drained by working hard in ineffective or retrograde institutional structures, or by immersion in the political infighting and posturing typical of many academic departments. And yet, it is not impossible to organize grad students in ways that sidestep these dangers and advance positive change. Institutional positions and good departmental cultures can have important activist potential, particularly if they are connected to broader organizing.

Probably the single most common vehicle for organizing grad students is around workplace issues. After all, the main thing we share as grad students, other than doing lots of research, is our wages and working conditions as teaching and research assistants. Such organizing usually results in an attempt to form a union. Sometimes these efforts win formal union recognition by university administrations, often not. (Sometimes, as in the case of New York University, grad students win recognition and the university repeals it through legal machinations; that fight is ongoing.) If you are not a member of a union, it is definitely worth organizing to form one and have it formally (legally) recognized. If you are part of a union, you'll face different challenges. Most unions big enough to run university organizing campaigns follow a business union model, usually resulting in formally democratic structures that are not in fact very responsive to popular rank-and-file initiatives. These unions also tend to resist any response to workplace injustice other than contract enforcements narrowly defined. Opportunities for solidarity work are likewise narrowly understood. In short, a TA union itself is a site of struggle. It's important for us to fight collectively to improve our working conditions, but we can't stop there.

We can work with and against our unions in ways that hold true to the ideal of worker solidarity and challenge a business union model. For example, we have been inspired by grad students at York University in Toronto, who have brought their union (CUPE Local 3903) under robust rank-and-file control, in line with participatory democratic functioning, militant solidarity action, and broader social justice work. Even if our union is really messed up, we can follow Local 3903's example and form "flying squads," in which grad student workers actively mobilize to support other unions' pickets and other community initiatives. At UCSC, we developed a graduate student solidarity network to organize and mobilize grad students to join other workers, on and off campus, for labor actions, and to address some of the failings we saw in our own union. Over the last two years, this network has developed into a kind of reform caucus, UAW Members for Quality Education and Democracy, which seeks to support labor struggles and draw connections between workplace conditions and accessible, quality education. This is an example that we think resonates with many other rank-and-file initiatives and aspirations, not only in the graduate student union realm.

It is also important to nurture lively political communities among grad students beyond the limited goal of a single campaign, strike, or event. Union culture, for example, requires much more than just mobilization and meetings; it needs a sense of comradeship, a collective practice of caring about what happens to other people. In our experience, when people work together on specific projects over time, they come to trust each other personally and politically. This trust is essential to grounded political community. The tightrope we walk here, of course, is difficult as cliquishness and insularity often result from close organizing ties. And so we think it is important to create structures that people can easily access without already being linked to existing social-political networks. One experiment we tried in this vein, still ongoing, is a non-university-based email listserv for communication among radical grad students at UCSC; we called it "radgrads." At the beginning of each school year, an announcement goes out on the grad email lists, explaining the purpose of radgrads and inviting people to join it. The list serves as a vehicle for informing grad students of events and campaigns on and off campus, a site for discussion among students from very different departments, and occasionally a means for organizing social events and in-person discussions. We've also seen the success of, for example, a women-of-color grad research and action collective and queer grad groups in creating supportive institutional cultures for political work.

When grad students come together, we are formidable.

Suggestion Four: Question Professionalization and Individualism

Perhaps one of the starkest differences between undergrads and grads is that while the university is often a place of politicization for undergraduates, it is more often a place of depoliticization for grad students. Aside from time and money pressures, two of the main depoliticizing forces we encounter are professionalization and individualism, as they are engrained in academic culture. Professionalization is the process of learning and adopting the "rules of the game" of academic life. Usually, these are middle- and upper-middle class coded ways of talking, dressing, and socializing. They have historically been most comfortably deployed by men, and they are very white. Professionalization includes a set of academic behaviors and accomplishments, like publishing papers, presenting work at conferences, applying for grants and fellowships, and successfully conducting a job search. Individualism is a trait that fits neatly into academic professionalization; individual achievement and brilliance are highly praised, almost defining characteristics of academe. Academics are supposed to live the life of the mind, immune to bodily needs and relational connections. Thus, genuinely collaborative work is not taken as seriously as solitary genius, even in the sciences, and we are expected to diligently pursue our individual "careers." As a result, academic life is often deeply isolating, both in terms of how we conceptualize our work and how our work process is structured.

It might be tempting to throw professionalization out entirely. After all, it brings together many of the most rage-inspiring aspects of academic culture. We call for a questioning of professionalization, however, because there are many people who come into the academy from working-class backgrounds, or who are racialized, or fat, or otherwise inappropriate in the ivory tower's halls. For these grad students, a careful investigation into the norms of professional life will be key to infiltrating and surviving academe. That is, professionalization can be worth pursuing. Even for the relatively privileged, understanding professionalization is important in refusing to internalize its imperatives. At the same time, we think it is crucial to develop alternatives to professionalization. In particular, a prevailing myth supporting the professionalization imperative is the idea that every worthy PhD student should expect to land a tenure-track job. But this has never been the case. And as universities shift more and more teaching onto contingent labor, it looks very likely that it never will be. As graduate students, we must imagine life beyond the tenure carrot and the adjunct stick. There are, as far as we know, no maps laid out for this work, but we think it's worth exploring.

Collaborative work, in our experience, offers a way to simultaneously challenge professionalization and refuse depoliticization. This alternative to the individualist model can be practiced among academics and also with and among activists outside of academic contexts. For those engaged in movements, this mode should be familiar. Activist intellectual work is often collaborative; it seeks clarity and refinement through the process of conversation and collaboration. We noticed the promise of this kind of approach in our political collective, particularly as we wrote a social-economic analysis of our university's priorities and practices. In general, we found working collaboratively as graduate students outside of academically sanctioned settings to be both challenging and exciting. Often in our lives as grad students we relate to one another as colleagues, interlocutors, or rivals, but usually our work is our own. Politically-motivated shared work is a powerful antidote to these relationships. In our case, we also discovered that it gave us more ground to stand on in our broader organizing work. We experienced this, in a different way, when we assembled an all-graduate-student affinity group for street actions in San Francisco after the ground invasion of Iraq in 2003. Integrating these sorts of approaches into our academic work can have similarly profound effects. And more fundamentally, such approaches can challenge and change the ways we presently think about our day-to-day work routines and ourselves as intellectuals.

Critically approaching professionalization and developing collaborative means of doing activist intellectual work opens surprising and liberating spaces.

Suggestion Five: Build Accountability to Movements into Research and Teaching

The question of accountability is a crucial way to frame and understand our work. We can approach it, among other ways, in terms of how knowledge itself is produced. Veteran activist and academic Richard Flacks nicely illustrates this, recalling that a central slogan among radical sociologists in the late sixties was "knowledge for whom?" The question remains pressing, and it begs another: Accountability to whom? One way to answer this question is think about the communities that validate and thus structure our scholarship. With whom is our work in conversation? To whom is it accountable? How are the answers to these questions related to each other?

Some of us have managed to find ways of sustaining political relationships with activists in a variety of movement contexts. Often, these relationships even become an inspiration for or the focus of our academic work. This is good and useful. But there are many open questions about what accountability is and how we should enact it. Of course, in this case, accountability would involve explicit negotiation with research "subjects" and some account of how the research will come back to the community. But such a mode of accountability will always be dissatisfying and partial -- it will always fail. In general, we think of accountability as involving far more than a basic attention to research ethics. It is a relationship that orients our attention, commitments, and research questions. When academics think of ourselves as standing in solidarity with movements as equal participants in struggles for social transformation, our relationship to what work we do, how we share it, and for whom we're doing it might fundamentally change. This is how we understand accountability.

Issues of accountability are also central to teaching. After all, most of us will teach, sometimes a lot, during graduate school. It is not uncommon to have the chance to design and teach one's own class, and almost everyone works as a teaching assistant at some point. There is no way that we can overview here all of the useful work on radical pedagogy -- work on canons, how knowledge is formed in relation to power, how we can use the classroom as a place to teach for liberation, and how our teaching selves can be fully integrated and present beings. There are excellent and important resources out there. But we do want to note the difficulty of bringing activist commitments and sensibilities into the classroom. Teaching is the some of the most fulfilling work either of us has done. It is also the most challenging. We have encountered both of these most strongly when we have tried to directly bring our political commitments into our teaching. And so we maintain that teaching is immeasurably strengthened when it is accountable to movements. In our experience, this means facilitating ways for students to not only think critically about the world but to develop means of actively engaging it. It means finding ways to both support and challenge student activists. It means challenging social hierarchies as they manifest in teaching spaces. It means seeing even very politically problematic students as utterly worth working with. It means understanding the classroom as a space that is densely interwoven with the rest of the world.

Developing accountability in our research and teaching helps us make genuine contributions to movements.

Toward Discussion and Collective Strategizing

When we started graduate school, we were searching for models for how to do activist intellectual work in the academy while also sustaining strong connections to movements. We were able to identify individual professors and grad students who seemed to be successfully navigating some of these tensions, but we found little in the way of explicit discussion and collective strategizing. And so, in the last several years, we have tried to build some of our own models, always incomplete, at the same time that we have attempted to develop political practice appropriate to our situation. Perhaps the hardest part has been finding ways to generate the discussion and strategizing that we couldn't find but urgently need. We have been fortunate to participate in a lively political community at UCSC, but we have always felt that activist grad students in many other places would have crucial insights to offer to these conversations. In our view, we especially need discussion that evades political posturing and realistically engages with the question of sustainable organizing in unsustainable circumstances. We hope, then, that these suggestions might help spark serious and ongoing reflection and dialogue. We hope too that they might serve as a support of some kind for radical grad student activity. Grad students, as we have argued, are in a unique structural location where political work can have powerful effects. We must develop ways of collectively sustaining and strengthening that work. Doing so will help move us from ineffectiveness and isolation to meaningful and strategic activist intellectual work. It will help us leverage the academy for movement-building.

Wednesday, March 25, 2009




Peace Gumbo YaYa Supporters,

Thank you for your generous thoughts, participation and support since the first cycle of Gumbo YaYa in 2007. Gumbo YaYa has travelled from NYC to NC drawing on the power of sisterhood and creative healing in every session or workshop. The second cycle of gumbo yaya is wrapping up in Durham, NC.

Here are a few updates:

New Community Support!
Gumbo YaYa is pleased to announce new sponsor, The Body Shop. The Body Shop (http://www.thebodyshop-usa.com/bodyshop/) is providing wellness and beauty items for the Gumbo Yaya Sister Circle and supporters. Many thanks to our awesome intern, Kenya C. Harris, for solidifying this sponsorship. You rock Kenya!

Love is Radical Performance!
Gumbo YaYa is wrapping up its second cycle on 3/29/2009 with a community performance, panel, and potluck.

What: Love is Radical: Performing Mothering, Daughtering, and Sistering
When: 3/29/09, 2:30 pm
Where: 214 Broadway St.
Durham, NC
Who: The Entire Community
Cost: Free
Why: Because we want to share our magic with you!

Please bring a dish, dessert, or beverage for the community potluck.
More Information: bettysdaughterarts@gmail.com or 919.423.3780

Please tell everyone you know to come out and support Gumbo YaYa!

Gumbo on the Go!
A Gumbo YaYa session was presented at the 5th Annual State of the Nation Arts and Performance Festival. Accepted with open arms by a diverse community of artists and activists, women and men engaged in "Brilliant Tomorrows: Sister(ing) as Creative Communal Performance" session in New Orleans, LA. www.sonfestival.org.

Brilliant Tomorrows will also be presented at the first We Are 1 Women's Conference in Durham, NC. The conference seeks to bring women together regardless of sexuality, faith, ethnicity. Check them out at http://www.infinitydiamondclub.com/infinity_diamond_club_015.htm.

On the Horizon...
Gumbo YaYa, the movie!
Gumbo YaYa, the curriculum!


We want to hear from you!
-Join our list serv at http://bettysdaughterarts.synthasite.com/contact.php.

-Check out our website and leave a comment at www.iamnotaproject.wordpress.com.

In sisterhood and community building,
Gumbo YaYa/ or this is why we speak in tongues

Wednesday, March 18, 2009

Yeah Lex!

Just wanted to let everyone know that our colleague and good friend Alexis Pauline Gumbs was identified by David Horowitz as one of the radical faculty ruining america!!!

Yay! Alexis!! you know you are on the right path when Horowitz has something to say about you!

see below

well,the first chapter is pretty much all about duke, and his mention of you is under a section called "Marxists and 'Queer Black Trouble Makers': The Department of English." He then highlights specific classes, and your class "To Be a Problem," is the first one. He writes:

"The synopsis explains 'This class will explore trouble-making, radical performative critique, and the transgressive and embattled act of (visual, textual, sonic and multi-media) publishing as possible responses to systemic and individual exclusions.' According to the instructor, a graduate student who calls herself a 'queer black trouble maker,' since 'publishing is an act of stolen power for outcasted communities, this class will be a publication of what it can mean to be problematic in a society inflected by race, class, sexuality, and gender norms.. Our aim is not to solve the problems of classism, sexism, homophobia and transphobia as inflected by race, but rather is to create a space where it is possible to act, speak, write, and think otherwise, anyway.' In short, the classroom is intended to be a forum for the radical views of instructor Gumbs.

"Throughout the course, students are asked to consider American blacks as an 'outcast community,' a point underscored by questions that they are expected to consider. ('Is outcast status the mark of being 'truly' black, or is it grounds to be kicked out of the 'black community'?') The same themes emerge in the books assigned for the course, which exclusively reflect the instructor's idiosyncratic views. The White Boy Shuffle, a novel by Paul Beatty, features as its protagonist a black poet named Gunnar Kaufman, who casts himself as the prophet of 'a divided, downtrodden, and alienated people' and voices sentiments such as this: 'In the quest for equality black folks have tried everything. We've begged, revolted, entertained, intermarried, and are still treated like shit.'

"Other assigned texts take an even more strident line on races. Thus, Sister Outsider, a book of essays and speeches by the lesbian activist Autre Lorde, describes American society as a 'racist patriarchy' that intentionally seeks the 'destruction' of its black citizens. The introduction to Home Girls: A Black Feminist Anthology claims that the 'black feminist agenda' has failed to gain a popular following because of the 'virulent racism' of American society. Essays featured in the book decry the 'racism of white women in the women's movement,' the 'prevailing popular culture of racism,' and the 'racism that is perpetuated by the white male dominant society.' No other views need apply."

The book is littered with these kinds of flatfooted readings, but it will also most likely be read by many on the neocon right who need to have their suspicions about the academic world--and of people of color in it--confirmed in the typical racist/sexist/homophobic/etc way.

Monday, March 16, 2009

Eternal Summer of the Black Feminist Mind: Claudia Jones

Jones was known for giving out book lists to women she met on the street, in the laundromat and everywhere else.  Our radical reading group honors this legacy.


Jones was known for giving out book lists to women she met on the street, in the laundromat and everywhere else. Our radical reading group honors this legacy.

Eternal Summer of the Black Feminist Mind: Session 3

Claudia Jones---Co-Sponsored by the People's Durham Initiatve

March 31st 6pm

Potluck at Lex's House (alexispauline@gmail.com for directions)

In her crucial book on the political life of Claudia Jones, Carole Boyce Davies describes Jones as "Left of Karl Marx." Jones is literally buried in the same cemetery as Marx, to his left, but Boyce Davies is also suggesting that Claudia Jones a rarely remembered black feminist Trinidadian communist organizer who was deported during the McCarthy Era for her radical beliefs and activities, is also left of Marx politically because her black feminist approach and her empahsis on cultural transformation challenged the limits of Marxism.

In her essay "An End to the Neglect of the Problems of the Negro Women" (download here) Claudia Jones articulates her understanding of how black feminism can transform the left in a revolutionary way. Join us, in Durham or wherever you are in reading and discussing this essay this month (because every month is women's history month!!!!)

love,

BrokenBeautiful Press